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Part-Primitive in Bloomington, MN
Current price: $18.99

Part-Primitive in Bloomington, MN
Current price: $18.99
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Size: CD
Section 25
's first phase of existence had long been plagued by bad luck amid many musical triumphs, and the band's incipient reunion in 2000 was undercut by the tragic early death of
Jenny Cassidy
due to cancer some years later. But the eventual appearance of
Part-Primitiv
in 2007, drawing partially on some of her last tracks but mostly consisting of newer ones done by the core of brothers
Vin
and
Larry Cassidy
plus former
Tunnelvision
member
Ian Butterworth
Roger Wikeley
, was well worth the wait. A vibrant, fierce collection of songs played with all the intense, live-wire energy one could want from
,
looks coolly around at the modern
post-punk
-derived musical landscape and blasts it into the next room. Bookended by two versions of the appropriately chilly though still sprightly
"Winterland,"
the album shifts easily between
electronic
-derived tension and mean-as-hell
rock
arrangements. The rhythm section of
Vin Cassidy
Wikeley
shines on songs like
"Poppy Fields,"
a kind of war tribute from hell, and the beyond-
aggro
"Roma."
's fierce, angry singing on such pieces as
"Can't Let Go"
and the nervous,
Krautrock
-tinged sprawl of
"Ludus Cantus"
matches the feeling of the album to a T, while
Butterworth
's ear for sudden uplift amid the tense energy, especially notable on
"She's So Pretty,"
caps things perfectly. Meanwhile,
's two vocal leads -- on the big, open arrangement of
"Dream"
and the deft, coolly sweet
"Better Make Your Mind Up"
-- serve as a fine final contribution from a talent sadly cut off too soon.
is dedicated to her memory, and it's a worthy way to be remembered. ~ Ned Raggett
's first phase of existence had long been plagued by bad luck amid many musical triumphs, and the band's incipient reunion in 2000 was undercut by the tragic early death of
Jenny Cassidy
due to cancer some years later. But the eventual appearance of
Part-Primitiv
in 2007, drawing partially on some of her last tracks but mostly consisting of newer ones done by the core of brothers
Vin
and
Larry Cassidy
plus former
Tunnelvision
member
Ian Butterworth
Roger Wikeley
, was well worth the wait. A vibrant, fierce collection of songs played with all the intense, live-wire energy one could want from
,
looks coolly around at the modern
post-punk
-derived musical landscape and blasts it into the next room. Bookended by two versions of the appropriately chilly though still sprightly
"Winterland,"
the album shifts easily between
electronic
-derived tension and mean-as-hell
rock
arrangements. The rhythm section of
Vin Cassidy
Wikeley
shines on songs like
"Poppy Fields,"
a kind of war tribute from hell, and the beyond-
aggro
"Roma."
's fierce, angry singing on such pieces as
"Can't Let Go"
and the nervous,
Krautrock
-tinged sprawl of
"Ludus Cantus"
matches the feeling of the album to a T, while
Butterworth
's ear for sudden uplift amid the tense energy, especially notable on
"She's So Pretty,"
caps things perfectly. Meanwhile,
's two vocal leads -- on the big, open arrangement of
"Dream"
and the deft, coolly sweet
"Better Make Your Mind Up"
-- serve as a fine final contribution from a talent sadly cut off too soon.
is dedicated to her memory, and it's a worthy way to be remembered. ~ Ned Raggett
Section 25
's first phase of existence had long been plagued by bad luck amid many musical triumphs, and the band's incipient reunion in 2000 was undercut by the tragic early death of
Jenny Cassidy
due to cancer some years later. But the eventual appearance of
Part-Primitiv
in 2007, drawing partially on some of her last tracks but mostly consisting of newer ones done by the core of brothers
Vin
and
Larry Cassidy
plus former
Tunnelvision
member
Ian Butterworth
Roger Wikeley
, was well worth the wait. A vibrant, fierce collection of songs played with all the intense, live-wire energy one could want from
,
looks coolly around at the modern
post-punk
-derived musical landscape and blasts it into the next room. Bookended by two versions of the appropriately chilly though still sprightly
"Winterland,"
the album shifts easily between
electronic
-derived tension and mean-as-hell
rock
arrangements. The rhythm section of
Vin Cassidy
Wikeley
shines on songs like
"Poppy Fields,"
a kind of war tribute from hell, and the beyond-
aggro
"Roma."
's fierce, angry singing on such pieces as
"Can't Let Go"
and the nervous,
Krautrock
-tinged sprawl of
"Ludus Cantus"
matches the feeling of the album to a T, while
Butterworth
's ear for sudden uplift amid the tense energy, especially notable on
"She's So Pretty,"
caps things perfectly. Meanwhile,
's two vocal leads -- on the big, open arrangement of
"Dream"
and the deft, coolly sweet
"Better Make Your Mind Up"
-- serve as a fine final contribution from a talent sadly cut off too soon.
is dedicated to her memory, and it's a worthy way to be remembered. ~ Ned Raggett
's first phase of existence had long been plagued by bad luck amid many musical triumphs, and the band's incipient reunion in 2000 was undercut by the tragic early death of
Jenny Cassidy
due to cancer some years later. But the eventual appearance of
Part-Primitiv
in 2007, drawing partially on some of her last tracks but mostly consisting of newer ones done by the core of brothers
Vin
and
Larry Cassidy
plus former
Tunnelvision
member
Ian Butterworth
Roger Wikeley
, was well worth the wait. A vibrant, fierce collection of songs played with all the intense, live-wire energy one could want from
,
looks coolly around at the modern
post-punk
-derived musical landscape and blasts it into the next room. Bookended by two versions of the appropriately chilly though still sprightly
"Winterland,"
the album shifts easily between
electronic
-derived tension and mean-as-hell
rock
arrangements. The rhythm section of
Vin Cassidy
Wikeley
shines on songs like
"Poppy Fields,"
a kind of war tribute from hell, and the beyond-
aggro
"Roma."
's fierce, angry singing on such pieces as
"Can't Let Go"
and the nervous,
Krautrock
-tinged sprawl of
"Ludus Cantus"
matches the feeling of the album to a T, while
Butterworth
's ear for sudden uplift amid the tense energy, especially notable on
"She's So Pretty,"
caps things perfectly. Meanwhile,
's two vocal leads -- on the big, open arrangement of
"Dream"
and the deft, coolly sweet
"Better Make Your Mind Up"
-- serve as a fine final contribution from a talent sadly cut off too soon.
is dedicated to her memory, and it's a worthy way to be remembered. ~ Ned Raggett