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Osnat Netzer: Dot : Line : Sigh
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Osnat Netzer: Dot : Line : Sigh in Bloomington, MN
Current price: $20.99
Osnat Netzer: Dot : Line : Sigh in Bloomington, MN
Current price: $20.99
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Size: OS
These chamber works by composer
Osnat Netzer
would seem to require the detailed booklet notes by the composer for full appreciation. The pieces were all less than a decade old when the album appeared in 2024, and
Netzer
writes that she began to incorporate principles of cognitive linguistics into her music. The
Dot, Line, and Sigh
of the title pertain to those principles; in
's words, "Though the pieces differ in musical language and aesthetics, they all share the tropes of a punctuated sustain (Dot-Line) and many forms of pitch bends, glissandi, and stylized portamenti (Sigh)." The average listener, however, may find, as with some serial compositions, that the theoretical framework is not essential to the enjoyment of the music. Several of these works have humorous titles, and the music delivers on the humor of
I won't be outrun by a cavalry of snails
,
Schertch (scherzo sketch)
, and
I AM FUCKING ZEN
, the latter a work for saxophone quartet. The sources of
's music are somewhat diverse stylistically; the final
away dream all away
, setting a text by
Samuel Beckett
, draws inspiration from the Australian neo-soul band
Hiatus Kaiyote
. General listeners should not let themselves be scared off by the theoretical apparatus here. ~ James Manheim
Osnat Netzer
would seem to require the detailed booklet notes by the composer for full appreciation. The pieces were all less than a decade old when the album appeared in 2024, and
Netzer
writes that she began to incorporate principles of cognitive linguistics into her music. The
Dot, Line, and Sigh
of the title pertain to those principles; in
's words, "Though the pieces differ in musical language and aesthetics, they all share the tropes of a punctuated sustain (Dot-Line) and many forms of pitch bends, glissandi, and stylized portamenti (Sigh)." The average listener, however, may find, as with some serial compositions, that the theoretical framework is not essential to the enjoyment of the music. Several of these works have humorous titles, and the music delivers on the humor of
I won't be outrun by a cavalry of snails
,
Schertch (scherzo sketch)
, and
I AM FUCKING ZEN
, the latter a work for saxophone quartet. The sources of
's music are somewhat diverse stylistically; the final
away dream all away
, setting a text by
Samuel Beckett
, draws inspiration from the Australian neo-soul band
Hiatus Kaiyote
. General listeners should not let themselves be scared off by the theoretical apparatus here. ~ James Manheim
These chamber works by composer
Osnat Netzer
would seem to require the detailed booklet notes by the composer for full appreciation. The pieces were all less than a decade old when the album appeared in 2024, and
Netzer
writes that she began to incorporate principles of cognitive linguistics into her music. The
Dot, Line, and Sigh
of the title pertain to those principles; in
's words, "Though the pieces differ in musical language and aesthetics, they all share the tropes of a punctuated sustain (Dot-Line) and many forms of pitch bends, glissandi, and stylized portamenti (Sigh)." The average listener, however, may find, as with some serial compositions, that the theoretical framework is not essential to the enjoyment of the music. Several of these works have humorous titles, and the music delivers on the humor of
I won't be outrun by a cavalry of snails
,
Schertch (scherzo sketch)
, and
I AM FUCKING ZEN
, the latter a work for saxophone quartet. The sources of
's music are somewhat diverse stylistically; the final
away dream all away
, setting a text by
Samuel Beckett
, draws inspiration from the Australian neo-soul band
Hiatus Kaiyote
. General listeners should not let themselves be scared off by the theoretical apparatus here. ~ James Manheim
Osnat Netzer
would seem to require the detailed booklet notes by the composer for full appreciation. The pieces were all less than a decade old when the album appeared in 2024, and
Netzer
writes that she began to incorporate principles of cognitive linguistics into her music. The
Dot, Line, and Sigh
of the title pertain to those principles; in
's words, "Though the pieces differ in musical language and aesthetics, they all share the tropes of a punctuated sustain (Dot-Line) and many forms of pitch bends, glissandi, and stylized portamenti (Sigh)." The average listener, however, may find, as with some serial compositions, that the theoretical framework is not essential to the enjoyment of the music. Several of these works have humorous titles, and the music delivers on the humor of
I won't be outrun by a cavalry of snails
,
Schertch (scherzo sketch)
, and
I AM FUCKING ZEN
, the latter a work for saxophone quartet. The sources of
's music are somewhat diverse stylistically; the final
away dream all away
, setting a text by
Samuel Beckett
, draws inspiration from the Australian neo-soul band
Hiatus Kaiyote
. General listeners should not let themselves be scared off by the theoretical apparatus here. ~ James Manheim
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