On the Dance Floor

isn't the first jazz musician to cover the music of . Nor, at 70, is he the most likely. (Younger men like , , and would seemingly be more obvious candidates.) That said, with , the Italian trumpet legend takes on an entire album of tunes associated with . According to , he wasn't even really aware of 's music until a few days after his death; his wife was watching a concert video, he haphazardly took a look and listen and was riveted to the point of obsession. is not the usual tribute then, because it's not wrapped in grief. Instead, it's the mark of one master musician celebrating another -- rightfully considers to be among the most important musicians of the 20th century. Recorded live in Rome with the large ensemble, , under the direction of trombonist takes on some of 's biggest hits and some of his less familiar numbers. The set opens with a ponderous, laid-back reading of "Speechless," on which uses his trademark spacing and lyricism to find room for improvisation that reflects the Italian jazz tradition, theatrical and cinematic music, and the source material. While the orchestra isn't up to playing at the communicative level of the trumpeter's smaller groups, they don't need to be. They understand how to bring the funk and make it bubble and boil on the medley of "I Just Can't Stop Loving You"/"Smooth Criminal," "Thriller," and "Blood on the Dance Floor." That said, they also color ballads with enough emotion and sensitivity to allow 's own sense of exploratory admiration to come through as on the hinge piece, a beautiful cover of 's "Smile" that reflects much of the tenderness imbued it with. The reading of "Little Susie" wonderfully balances drama and melody. doesn't come off as one of 's more disciplined recordings -- it may indeed be his loosest -- but that's by design. It's a laid-back, accessible tribute recording that celebrates 's music as an achievement, and offers jazz fans of all stripes a way into it. ~ Thom Jurek