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Oh Me Oh My...
Oh Me Oh My...
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The first thing that strikes you about
is his utterly unique and soft voice, which seems a mix of
and
.
is a perfect example of this, as
uses his vocals and an acoustic guitar to get his brief yet often memorable points across. Originally recorded on shoddy and broken four-track recorders, the songs have a definitive roughness and audible hiss on nearly all of them, giving them a certain authenticity rarely found. Cars can be heard driving past in
but that performance is only one of the many highlights here. A number of the tracks are less than or just over one minute in length, often stream-of-conscious
put to music. The fragility heard in
resembles
but evolves into a
song structure, speaking of "wide ass suits and lion tattoos."
can be discerned throughout the record, especially during
lends itself more toward
performing something from
, perhaps the acoustic-oriented
Lyrically the songs are quite odd and occasionally nonsensical, particularly
Here
speaks of a friend who has his favorite teeth and ears. Perhaps comparisons could be drawn to
to a lesser extent, but
makes both artists sound bland in comparison.
is the most mainstream-structured arrangement, with
showing a bit more intensity. The standout track would have to be
which has a pretty harmony vocal to it as
picks his guitar in a rather intricate fashion.
is the most promising track, but the sound levels tend to fluctuate from verse to verse. An almost ethereal and angelic performance compensates for its shortcomings, though. A lot of the songs appear to be not fully realized, but perhaps that's the beauty of them. When tracks like
are entirely flushed out, it's pure magic as the acoustic
angle is played out to near perfection.
has a handclap tempo to it that resembles a
style as
describes burying songs in snails. Throughout the record,
is never guilty of being artistic just for the sake of being artistic. Each track rings true and can't be deemed contrived.
is the most up-tempo song, but even then it's still mid-tempo at best. ~ Jason MacNeil