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New York Dolls [LP]
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New York Dolls [LP] in Bloomington, MN
Current price: $29.99
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Size: OS
When
the New York Dolls
released their debut album in 1973, they managed to be named both "Best New Band" and "Worst Band" in
Creem Magazine
's annual reader's poll, and it usually takes something special to polarize an audience like that. And
the Dolls
were inarguably special -- decades after its release,
New York Dolls
still sounds thoroughly unique, a gritty, big-city amalgam of
Stones
-style R&B, hard rock guitars, lyrics that merge pulp storytelling with girl group attitude, and a sloppy but brilliant attack that would inspire punk rock (without the punks ever getting its joyous slop quite right). Much was made of
' sexual ambiguity in the day, but with the passage of time, it's a misfit swagger that communicates most strongly in these songs, and
David Johansen
's vocals suggest the product of an emotional melting pot who just wants to find some lovin' before Manhattan is gone, preferably from a woman who would prefer him over a fix. If the lyrics sometimes recall
Hubert Selby, Jr.
if he'd had a playful side, the music is big, raucous hard rock, basic but with a strongly distinct personality -- the noisy snarl of
Johnny Thunders
' lead guitar quickly became a touchstone, and if he didn't have a lot of tricks in his arsenal, he sure knew when and how to apply them, and the way he locked in with
Syl Sylvain
's rhythm work was genius -- and
made their downtown decadence sound both ominous and funny at the same time. The
Dolls
were smart enough to know that a band needs a great drummer, and if there's something likably clumsy about
Arthur Kane
's bass work,
Jerry Nolan
's superb, elemental drumming holds the pieces in place with no-nonsense precision at all times. "Lonely Planet Boy" proved
could dial down their amps and sound very much like themselves, "Pills" was a superbly chosen cover that seemed like an original once they were done with it, and "Personality Crisis," "Trash," and "Jet Boy" were downtown rock & roll masterpieces no other band could have created. And while
clearly came from a very specific time and place, this album still sounds fresh and hasn't dated in the least -- this is one of rock's greatest debut albums, and a raucous statement of purpose that's still bold and thoroughly engaging. ~ Mark Deming
the New York Dolls
released their debut album in 1973, they managed to be named both "Best New Band" and "Worst Band" in
Creem Magazine
's annual reader's poll, and it usually takes something special to polarize an audience like that. And
the Dolls
were inarguably special -- decades after its release,
New York Dolls
still sounds thoroughly unique, a gritty, big-city amalgam of
Stones
-style R&B, hard rock guitars, lyrics that merge pulp storytelling with girl group attitude, and a sloppy but brilliant attack that would inspire punk rock (without the punks ever getting its joyous slop quite right). Much was made of
' sexual ambiguity in the day, but with the passage of time, it's a misfit swagger that communicates most strongly in these songs, and
David Johansen
's vocals suggest the product of an emotional melting pot who just wants to find some lovin' before Manhattan is gone, preferably from a woman who would prefer him over a fix. If the lyrics sometimes recall
Hubert Selby, Jr.
if he'd had a playful side, the music is big, raucous hard rock, basic but with a strongly distinct personality -- the noisy snarl of
Johnny Thunders
' lead guitar quickly became a touchstone, and if he didn't have a lot of tricks in his arsenal, he sure knew when and how to apply them, and the way he locked in with
Syl Sylvain
's rhythm work was genius -- and
made their downtown decadence sound both ominous and funny at the same time. The
Dolls
were smart enough to know that a band needs a great drummer, and if there's something likably clumsy about
Arthur Kane
's bass work,
Jerry Nolan
's superb, elemental drumming holds the pieces in place with no-nonsense precision at all times. "Lonely Planet Boy" proved
could dial down their amps and sound very much like themselves, "Pills" was a superbly chosen cover that seemed like an original once they were done with it, and "Personality Crisis," "Trash," and "Jet Boy" were downtown rock & roll masterpieces no other band could have created. And while
clearly came from a very specific time and place, this album still sounds fresh and hasn't dated in the least -- this is one of rock's greatest debut albums, and a raucous statement of purpose that's still bold and thoroughly engaging. ~ Mark Deming
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