Neoteny: Poems

A lively and imaginative debut, explores blindness, family, and birdsong. In these poems, Emily K. Michael meditates on literary and personal heroes like Jo March, her beloved grandmother, and her guide dog. This collection is rich with treasures from childhood — the honey-colored piano Michael played, the fig tree in her front yard and the trays of fresh mint drying on her grandmother’s table. The poems move between a child mind and an adult’s perspective as Michael contemplates the rich emotional power of commonplace objects and the way her own blindness complicates everyday situations. Poems like “In This One” and “I Say Yes” take the reader into the domestic moments of young romance while “Deficiencies,” and “Wood Thrush” invite readers to disappear in wonder for the wild world. A native of Jacksonville, Florida, Michael weaves local sounds and spaces into her work. “Anniversary in St. Augustine” is the story of a couple’s private tour of historical landmarks, while “ ” captures the quiet of a deserted street deep in hurricane season. “Trading Threes” and “Encore” welcomes local birds onto the page as Michael immortalizes the sounds of mockingbirds and cardinals. Though is an uplifting collection, Michael confesses the difficulties she experiences as a blind poet in a sighted world. In “Small Hours,” she asks readers to wonder just how important their vision really is, and in “Blindness Locked Me Out,” she catalogues the situations where her disaiblity relegated her to the sidelines. “Natural Compliance” maps the challenge of exploring the wilderness with a white cane and wheelchair. And “A Phenomenology of Blindness” is Michael’s resounding answer to the common questions about how blindness works. To those who think Michael is seeking a cure, she offers “Faith,” a poem that examines how healing really works. also pays tribute to the poets Michael loves. “Practice” is Michael’s nod to CD Wright’s “Lake Echo, Dear” and “Antiphon for Emily” is her song for Emily Dickinson. opens on “I Begin to Understand Jo March,” a finalist for the 2018 Atlantis Award. The final poem is “Cello,” first published in Artemis Journal and later included in Carilion Roanoke Memorial Hospital’s . Poems from this collection have also appeared in