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My Star
My Star in Bloomington, MN
Current price: $15.99
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Size: CD
On their early releases,
the Hecks
(initially the duo of
Andy Mosiman
and
Zach Hebert
) played a tense, angular form of deconstructed post-punk that seemed to focus on certain elements of rock music songcraft rather than build them into one solid, sturdy package. This included tracks made up primarily of clanging, throbbing guitars or scorched noise drones. After the band released their self-titled debut album in 2016, engineer
Dave Vettraino
joined the group full-time, and keyboard player
Jeff Graupner
soon became their fourth member. This added an entirely new dimension to
' music, causing them to scrap the initial sessions for their second album and completely rework the material. With
My Star
, they've reinvented themselves as a twisted new wave act, injecting Day-Glo synths into their jittery tunes and channeling the repetition of their earlier work into something more driving and hypnotic. This is also the first
Hecks
release that could possibly be perceived as being funky, thanks to the excited bounce of the rhythm section and the loopy guitar parts. It's not unlike
Guerilla Toss
' transformation from a skronky no wave group to a more party-friendly unit, resulting in their most satisfying work. However,
still seem a bit introverted, and the absurdist lyrics of their earlier releases are traded for more straightforward, heartfelt sentiments, such as the refrain of "It's tearing me apart" during the shimmering "Heat Wave," or the longing hook of the
Dirty Mind
-esque "So 4 Real" ("I only wanted to be with you"). Rapid-fire opener "Zipper" is
Devo
riding a high-speed Tilt-a-Whirl, while "The Fool" is half of
the Cars
playing a brief, impromptu concert in an alley before jetting. For the finale, "My Star," the band find a guitar hook so triumphant that they repeat it for eight minutes, gradually adding further layers and a straightforward drum pound until they eventually drive off into the sunset. There's still a bit of a sense of detachment to these tracks, but
' refusal (or inability) to do anything by the numbers is what makes them so fascinating. ~ Paul Simpson
the Hecks
(initially the duo of
Andy Mosiman
and
Zach Hebert
) played a tense, angular form of deconstructed post-punk that seemed to focus on certain elements of rock music songcraft rather than build them into one solid, sturdy package. This included tracks made up primarily of clanging, throbbing guitars or scorched noise drones. After the band released their self-titled debut album in 2016, engineer
Dave Vettraino
joined the group full-time, and keyboard player
Jeff Graupner
soon became their fourth member. This added an entirely new dimension to
' music, causing them to scrap the initial sessions for their second album and completely rework the material. With
My Star
, they've reinvented themselves as a twisted new wave act, injecting Day-Glo synths into their jittery tunes and channeling the repetition of their earlier work into something more driving and hypnotic. This is also the first
Hecks
release that could possibly be perceived as being funky, thanks to the excited bounce of the rhythm section and the loopy guitar parts. It's not unlike
Guerilla Toss
' transformation from a skronky no wave group to a more party-friendly unit, resulting in their most satisfying work. However,
still seem a bit introverted, and the absurdist lyrics of their earlier releases are traded for more straightforward, heartfelt sentiments, such as the refrain of "It's tearing me apart" during the shimmering "Heat Wave," or the longing hook of the
Dirty Mind
-esque "So 4 Real" ("I only wanted to be with you"). Rapid-fire opener "Zipper" is
Devo
riding a high-speed Tilt-a-Whirl, while "The Fool" is half of
the Cars
playing a brief, impromptu concert in an alley before jetting. For the finale, "My Star," the band find a guitar hook so triumphant that they repeat it for eight minutes, gradually adding further layers and a straightforward drum pound until they eventually drive off into the sunset. There's still a bit of a sense of detachment to these tracks, but
' refusal (or inability) to do anything by the numbers is what makes them so fascinating. ~ Paul Simpson
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