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Mozart: The Piano Sonatas on Mozart's Fortepiano
Mozart: The Piano Sonatas on Mozart's Fortepiano
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After an abortive set on
some years earlier, pianist
returns with a complete cycle of
. The intervening years have given him time for further research and reflection that show up in these
recordings, which made best-seller charts in the fall of 2022 despite a hefty list price and a sometimes bristly approach.
was also allowed this time around to play
's own fortepiano, a 1782
model, and this is one of the main attractions here. The instrument resides at the Salzburg Mozarteum, and few historical pianos have been so well cared for. It is a remarkable instrument, with sharp differentiations of texture between its registers and enough of an edge to deliver
's basic approach that avoids the conception of
as a delicate flower and instead stresses rhythmic tension, opera-like drama, and the new ability of the keyboard to mimic orchestral effects in works like the
. He is exceptionally alert to the rhythmic undercurrents in the outer movements, and a piece like the opening Allegro of the
, hardly one of
's most popular keyboard works, here receives an unusually sharp, tense performance.
leans into the ambition of the later sonatas, with an operatic, Beethovenian
-
pair and crisp readings of the ultra-concise final group. Another innovation here is the heavy use of ornamentation of repeated material. This is justified mostly with reference to procedures documented in the music of
, which does not necessarily provide definitive evidence when it comes to
. Listener reactions to what
does may vary, but overall, this is absolutely distinctive
, backed by a good deal of thought and scholarship. ~ James Manheim