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Michael Bubl¿¿
Michael Bubl¿¿ in Bloomington, MN
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Unlike most young guys who gravitate towards the latest
rock
or
rap
trend,
Michael Buble
chose to study the classic works of
pop
vocal masters like
Ella Fitzgerald
and
Frank Sinatra
while slowly developing his own technique and career as a vocal interpreter. Thanks to producer
David Foster
, the 25-year-old
Buble
has graduated to the big time with a self-titled debut disc that shows off his knowledge and appreciation for a style of music that is mostly unfamiliar to his generation. Swinging his way through a set of
standards
both classic (
"The Way You Look Tonight"
), and more recent (
"Moondance"
),
already possesses a quality that reaches beyond his youthfulness, with a voice that incorporates his influences into a sound that is fresh yet familiar. When he launches into a
standard
like
"Come Fly With Me,"
images of
Sinatra
are conjured up; but as the song progresses, the listener realizes that this is not
, or
Bobby Darin
, or any other famous vocalist. It is someone who has learned the art of popular song and is creating his own colorful music from shades of the past. In doing so,
throws a fresh coat of paint on an old
"Fever,"
and gives it a satiny sheen that the song hasn't seen in years. In addition to revitalizing the classics, he draws in a younger audience by covering more recent,
-era songs in a swinging gloss. Songs like
George Michael
's
"Kissing a Fool"
Queen
"Crazy Little Thing Called Love"
are jazzed up even further than their retro-based originals, and flow easily alongside the
. The only interruption comes when
Barry Gibb
guests on his own
"How Can You Mend a Broken Heart,"
with a reverb-laced vibrato that simply does not fit in this musical environment. Throughout the disc it is apparent that
has done his homework and aced the test, but there is always room for improvement.
haunts his vocals a bit too much on songs like
"Summer Wind,"
and there are moments throughout the disc when he forces his technique instead of following a natural cadence, but these minor criticisms will improve with time; and nothing can really diminish the sheer pleasure and joy he expresses in each performance. He sounds absolutely thrilled to be singing these songs, and that goes a long way in making
an exciting debut. ~ Aaron Latham
rock
or
rap
trend,
Michael Buble
chose to study the classic works of
pop
vocal masters like
Ella Fitzgerald
and
Frank Sinatra
while slowly developing his own technique and career as a vocal interpreter. Thanks to producer
David Foster
, the 25-year-old
Buble
has graduated to the big time with a self-titled debut disc that shows off his knowledge and appreciation for a style of music that is mostly unfamiliar to his generation. Swinging his way through a set of
standards
both classic (
"The Way You Look Tonight"
), and more recent (
"Moondance"
),
already possesses a quality that reaches beyond his youthfulness, with a voice that incorporates his influences into a sound that is fresh yet familiar. When he launches into a
standard
like
"Come Fly With Me,"
images of
Sinatra
are conjured up; but as the song progresses, the listener realizes that this is not
, or
Bobby Darin
, or any other famous vocalist. It is someone who has learned the art of popular song and is creating his own colorful music from shades of the past. In doing so,
throws a fresh coat of paint on an old
"Fever,"
and gives it a satiny sheen that the song hasn't seen in years. In addition to revitalizing the classics, he draws in a younger audience by covering more recent,
-era songs in a swinging gloss. Songs like
George Michael
's
"Kissing a Fool"
Queen
"Crazy Little Thing Called Love"
are jazzed up even further than their retro-based originals, and flow easily alongside the
. The only interruption comes when
Barry Gibb
guests on his own
"How Can You Mend a Broken Heart,"
with a reverb-laced vibrato that simply does not fit in this musical environment. Throughout the disc it is apparent that
has done his homework and aced the test, but there is always room for improvement.
haunts his vocals a bit too much on songs like
"Summer Wind,"
and there are moments throughout the disc when he forces his technique instead of following a natural cadence, but these minor criticisms will improve with time; and nothing can really diminish the sheer pleasure and joy he expresses in each performance. He sounds absolutely thrilled to be singing these songs, and that goes a long way in making
an exciting debut. ~ Aaron Latham
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