This unlicensed reissue, taking advantage of the 50-year copyright limit on recordings in Europe, actually should have been called "
Memories
/Selections from
A Musical Autobiography
," since it combines material from two albums
Ethel Merman
recorded in 1955. In between Broadway and Hollywood commitments,
Merman
recorded a rare solo LP in
, the first ten tracks on this CD. It was a concept recording devoted to the popular music her mother might have sung to her as a child or that she might have heard before she became a stage star in the early 1930s, songs from Tin Pan Alley that were hits from the 1890s to the '20s. The songs were arranged into ten medleys that combined anywhere from two to six compositions into a single track, such that sometimes only a chorus of a tune was included.
's Broadway musical director
Jay Blackton
was the arranger who also conducted the orchestra, and she was joined by a barbershop quartet,
the Old Timers Quartet
, and on occasion by
the Mitchell Boys Choir
. In fact, the quartet got certain selections to itself; the foursome sang
"A Bird in a Gilded Cage"
without
's involvement, for instance.
herself appeared in duplicate and triplicate through the magic of overdubbing, performing her own duets and trios on occasion as if she were
Mary Ford
or
Patti Page
. She was, as usual, thoroughly confident and effective in singing these songs, just as she was when singing show tunes. The LP bore similarities to the
Mitch Miller
"singalong" albums that came along later.
Also in 1955,
Decca Records
assembled a double album called
, drawing on its archive of
recordings and having her go into the studio to record spoken introductions and make new recordings of songs she had sung on Broadway earlier in her career. In all, there were 15 new versions of songs like
"I Got Rhythm"
and
"Anything Goes,"
performed in jazzy small-band arrangements with
the Buddy Cole Quartet
(and sometimes only
Cole
's piano), and those 15 tracks are added to the ten
medleys for the
Sepia Records
reissue. These are some of the best songs with which
was associated, including compositions by
George Gershwin
,
Cole Porter
, and
Irving Berlin
, and while these are not the original versions, they are well performed, with the introductions making for a recital-like effect. ~ William Ruhlmann