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Manna
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Manna in Bloomington, MN
Current price: $14.99


Manna in Bloomington, MN
Current price: $14.99
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Size: OS
Bread
's third album,
Manna
, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. It's clear that the rift between
David Gates
and
Robb Royer
James Griffin
is beginning to take shape, as the album is evenly divided between
Gates
tunes and
Royer
/
Griffin
compositions. This benefits the album, since it spurs each member to greater heights, and they even tend to sequence the record in ways that support that sentiment --
'
"Let Your Love Go,"
complete with its rockin' harpsichords, is followed by the hard-driving verses of
"Take Comfort,"
which, admittedly, is tempered by a dreamy chorus. And while some of the rougher edges present on
or
On the Waters
are sanded down slightly, they're still there, providing good contrast to such soft
pop
landmarks as
"If."
Yet, this is a record that is laid-back and even tempered, which isn't a bad thing -- it results in a fine listen, especially since the group's songwriting remains at the high standard instituted on that first
album. ~ Stephen Thomas Erlewine
's third album,
Manna
, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. It's clear that the rift between
David Gates
and
Robb Royer
James Griffin
is beginning to take shape, as the album is evenly divided between
Gates
tunes and
Royer
/
Griffin
compositions. This benefits the album, since it spurs each member to greater heights, and they even tend to sequence the record in ways that support that sentiment --
'
"Let Your Love Go,"
complete with its rockin' harpsichords, is followed by the hard-driving verses of
"Take Comfort,"
which, admittedly, is tempered by a dreamy chorus. And while some of the rougher edges present on
or
On the Waters
are sanded down slightly, they're still there, providing good contrast to such soft
pop
landmarks as
"If."
Yet, this is a record that is laid-back and even tempered, which isn't a bad thing -- it results in a fine listen, especially since the group's songwriting remains at the high standard instituted on that first
album. ~ Stephen Thomas Erlewine
Bread
's third album,
Manna
, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. It's clear that the rift between
David Gates
and
Robb Royer
James Griffin
is beginning to take shape, as the album is evenly divided between
Gates
tunes and
Royer
/
Griffin
compositions. This benefits the album, since it spurs each member to greater heights, and they even tend to sequence the record in ways that support that sentiment --
'
"Let Your Love Go,"
complete with its rockin' harpsichords, is followed by the hard-driving verses of
"Take Comfort,"
which, admittedly, is tempered by a dreamy chorus. And while some of the rougher edges present on
or
On the Waters
are sanded down slightly, they're still there, providing good contrast to such soft
pop
landmarks as
"If."
Yet, this is a record that is laid-back and even tempered, which isn't a bad thing -- it results in a fine listen, especially since the group's songwriting remains at the high standard instituted on that first
album. ~ Stephen Thomas Erlewine
's third album,
Manna
, isn't so much a step forward as it is a consolidation of strengths, as the group sharpens their skills and carves out their own identities. It's clear that the rift between
David Gates
and
Robb Royer
James Griffin
is beginning to take shape, as the album is evenly divided between
Gates
tunes and
Royer
/
Griffin
compositions. This benefits the album, since it spurs each member to greater heights, and they even tend to sequence the record in ways that support that sentiment --
'
"Let Your Love Go,"
complete with its rockin' harpsichords, is followed by the hard-driving verses of
"Take Comfort,"
which, admittedly, is tempered by a dreamy chorus. And while some of the rougher edges present on
or
On the Waters
are sanded down slightly, they're still there, providing good contrast to such soft
pop
landmarks as
"If."
Yet, this is a record that is laid-back and even tempered, which isn't a bad thing -- it results in a fine listen, especially since the group's songwriting remains at the high standard instituted on that first
album. ~ Stephen Thomas Erlewine




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