Love Hysteria in Bloomington, MN

Having assembled, for touring purposes, what would soon be his formal backing band,
the Hundred Men
, and more specifically, having found a new key songwriting collaborator in ex-
B. Movie
keyboardist
Paul Statham
,
Murphy
created his most elegant post-
Bauhaus
effort to date.
Love Hysteria
had definite
Bowie
echoes, though the feeling was more late-'70s Berlin-era than
Ziggy
glam. That said, with his band turning in a variety of bright, lively performances and with sympathetic production from ex-
Fall
member/arranger
Simon Rogers
matched the music with flair, his voice even more of a passionate croon than a powerful howl. Lead single
"All Night Long"
was something of an American breakthrough hit; its upbeat rock drive and lush keyboards are a perfect bed for
's performance. Other moments, such as the ringing acoustic/electric guitar combinations on
"Indigo Eyes"
and
"Dragnet Drag,"
take
even further away from
' shadow, though
"His Circle and Hers Meet"
"Blind Sublime"
have a brusquer energy. The definite highlights of the album are two majestic ballads:
"Time Has Got Nothing to Do With It,"
with a fine
Statham
synth line matching
's soaring vocals; and
"My Last Two Weeks,"
a simply wonderful romantic sentiment. If his lyrics now sometimes have the feeling of formal philosophical pronouncements, the sense of style with which he sings them saves the performances more often than not. Closing with a fun romp through
Iggy Pop
's
"Funtime,"
saluting another one of
's old heroes with an appropriately strong vocal and amusing horror-movie samples,
shows
fully coming into his own as a performer. ~ Ned Raggett