1985's
Love
displayed a marked improvement over
the Cult
's early material, and though it remains underappreciated in America (worldwide it was a smash), this exceptional record has actually aged better than the band's more notorious (and equally important) releases:
Electric
and
Sonic Temple
. Equal parts psychedelic
hard rock
new wave
goth, the songs on
emanate a bright guitar sheen, tight arrangements, crisp drumming, and a command performance from vocalist
Ian Astbury
, who as usual says a lot more with less than most singers. Overall, the album benefits from a wonderful sense of space, thanks in large part to guitarist
Billy Duffy
(who is much more subdued here than on future releases), whose restraint is especially notable on
"Revolution"
and the remarkably uncluttered title track.
Duffy
also provides compelling melodies (
"Hollow Man,"
), driving riffs (
"Nirvana,"
"The Phoenix"
), and even a
U2
-like intro to
"Big Neon Glitter."
Also on offer is the near-perfect
"She Sells Sanctuary"
and the smash hit
"Rain,"
quite possibly the band's most appealing single ever. Considering the musical schizophrenia that would plague each subsequent
Cult
release,
just may be the band's purest moment. ~ Eduardo Rivadavia