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Live in Seattle

Live in Seattle in Bloomington, MN
Current price: $18.99
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Vibraphonist
Joe Locke
and keyboardist
Geoff Keezer
's third collaboration (their previous two CDs were released in Japan under the
New Sound Quartet
moniker) is their first live recording as a team. Joining them are bassist
Mike Pope
and drummer
Terreon Gully
(the latter who also took part in their earlier studio recordings) for a stimulating set recorded during the 2005
Ballard Jazz Festival
.
Locke
's turbulent
"Van Gogh by Numbers"
serves as a sizzling, catchy opener, framed by an aggressive
post-bop
theme with a
fusion
midsection that gets into a bit of a
Latin
groove as
Keezer
switches to electric piano. The pianist's
"Fractured"
is somewhat loping but loosens up while it progresses as its composer takes flight with a fine solo. Rocker
James Taylor
's
ballad
"Native Son"
is successfully adapted as a
jazz
vehicle, though no credit is given for the arrangement.
"The King (For T.M.)"
is a wild finale, with an energy that never lets up. The incredible chemistry within this quartet is evident throughout the entire performance, so fans of either
or
will want to pick up this rewarding CD. ~ Ken Dryden
Joe Locke
and keyboardist
Geoff Keezer
's third collaboration (their previous two CDs were released in Japan under the
New Sound Quartet
moniker) is their first live recording as a team. Joining them are bassist
Mike Pope
and drummer
Terreon Gully
(the latter who also took part in their earlier studio recordings) for a stimulating set recorded during the 2005
Ballard Jazz Festival
.
Locke
's turbulent
"Van Gogh by Numbers"
serves as a sizzling, catchy opener, framed by an aggressive
post-bop
theme with a
fusion
midsection that gets into a bit of a
Latin
groove as
Keezer
switches to electric piano. The pianist's
"Fractured"
is somewhat loping but loosens up while it progresses as its composer takes flight with a fine solo. Rocker
James Taylor
's
ballad
"Native Son"
is successfully adapted as a
jazz
vehicle, though no credit is given for the arrangement.
"The King (For T.M.)"
is a wild finale, with an energy that never lets up. The incredible chemistry within this quartet is evident throughout the entire performance, so fans of either
or
will want to pick up this rewarding CD. ~ Ken Dryden