Live at the Ryman

Nashville's may no longer be the home of , but it is still known for country music. claims the venue for the blues on this live recording, however. Before an enthusiastic audience, he turns in a representative set full of energy and screaming electric guitar playing. The band seems amped up from the outset on a statement of purpose as well as a plea to disc jockeys to play 's music and help him to platinum status. Elsewhere, he sings of love gone wrong and right, as well as his determination to succeed. His voice is one of those functional ones for a blues musician who is more of an instrumentalist than a singer, as if he'd taken lessons from and . The point is expressiveness more than hitting the right notes. The ten-minute is the show's centerpiece, a philosophical ballad that keeps threatening to turn into 's as repeats "Everything is gonna be all right." is closer to gospel than the blues, which may be more appropriate to the venue. The songs are more than just platforms for 's guitar, just as the band is more than just musical support for it. But he is still a guitar hero, and this spirited performance only confirms that. ~ William Ruhlmann