Live at Billy Bob's Texas in Bloomington, MN

Other than reissues and best-of releases,
Live at Billy Bob's Texas
is
Gary Stewart
's first new album in a decade, and his first-ever live recording -- which seems odd for a performer whose songs seem to be tailor-made for live performance. In the 1970s,
Stewart
defined what was left of the true
honky tonk
tradition, and into the '80s and '90s continued to write and record quality material, but his style of
country
music had long fallen out of fashion and he fell into nearly complete obscurity. This is the album
should have cut in the late '70s -- it's full of 16 stunning examples of what he does best: write and perform hardcore
flawlessly with all the piss, vinegar, and passion that much younger men only wish they could muster. There are many
-penned classics in this bunch, including
"She's Actin' Single (I'm Drinkin' Doubles),"
"Flat Born Good Timin' Man,"
"Single Again,"
and
"An Empty Glass (That's the Way the Day Ends)."
Of the covers,
's choices are impeccable:
Wayne Carson
's
"Drinkin' Thing,"
Sterling Whipple
"In Some Room Above the Street,"
and one of the most moving versions of
Danny O'Keefe
"Quits"
ever captured on tape.
's voice has actually gotten better with age, slightly lower and full of pathos, brokenness, and sheer hell-raising abandon. His band, though unforgivably not credited anywhere in the liner notes, is obviously rooted deep in
's style of
; pianos and pedal steel guitar dominate the proceedings and the rhythm section lays just behind the beat to let the guitars and voices fill the entirety of the space in the middle. The pedal steel player, whoever he is, deserves all the work he can handle for his tasteful, emotionally revealing fills that give
that added ledge to step out on. Despite the fact that has been over 30 years since
first appeared in Nashville, this debut live album numbers among his best. This is essential for fans and serves as a more-than-worthy primer for beginners. ~ Thom Jurek