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Listen in Bloomington, MN
Current price: $19.99

Listen in Bloomington, MN
Current price: $19.99
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Chuck Loeb
knows the secret to finding enduring success in the genre, even amidst growing competition by more and more up and coming guitarists who approximate his style: keep the listener guessing from tune to tune with unique stylistic and production curveballs. He's so effective at this that it's impossible to resist as he commands in the title of his new
Shanachie
disc: simply
Listen
. Keeping his crisp electric lines front and center, he darts and moves from the retro-soul clicking, synth strings, and rising horn combination of
"Silver Star"
to the fingersnap percussion, hypnotic cymbal rolls,
Gary Keller
's flute harmony, and
Jim Beard
's shimmering Fender Rhodes foundation on
"High Five."
It's a kick keeping up with his mood swings;
Loeb
restrains himself wrapping around
Mark Egan
's spacy basslines and
Kim Waters
' soprano on
"Love Is All,"
then stirs up the frenetic fusion activity of
"Right Down Broadway"
with
Mitch Forman
's jump or else piano groove and more of those sassy horns. He even keeps a cover of
Michael Jackson
's
"Rock with You"
from slipping away into Muzakville by shifting from high to low string tones and trading off melody lines with
Walter Beasley
's alto. ~ Jonathan Widran
knows the secret to finding enduring success in the genre, even amidst growing competition by more and more up and coming guitarists who approximate his style: keep the listener guessing from tune to tune with unique stylistic and production curveballs. He's so effective at this that it's impossible to resist as he commands in the title of his new
Shanachie
disc: simply
Listen
. Keeping his crisp electric lines front and center, he darts and moves from the retro-soul clicking, synth strings, and rising horn combination of
"Silver Star"
to the fingersnap percussion, hypnotic cymbal rolls,
Gary Keller
's flute harmony, and
Jim Beard
's shimmering Fender Rhodes foundation on
"High Five."
It's a kick keeping up with his mood swings;
Loeb
restrains himself wrapping around
Mark Egan
's spacy basslines and
Kim Waters
' soprano on
"Love Is All,"
then stirs up the frenetic fusion activity of
"Right Down Broadway"
with
Mitch Forman
's jump or else piano groove and more of those sassy horns. He even keeps a cover of
Michael Jackson
's
"Rock with You"
from slipping away into Muzakville by shifting from high to low string tones and trading off melody lines with
Walter Beasley
's alto. ~ Jonathan Widran
Chuck Loeb
knows the secret to finding enduring success in the genre, even amidst growing competition by more and more up and coming guitarists who approximate his style: keep the listener guessing from tune to tune with unique stylistic and production curveballs. He's so effective at this that it's impossible to resist as he commands in the title of his new
Shanachie
disc: simply
Listen
. Keeping his crisp electric lines front and center, he darts and moves from the retro-soul clicking, synth strings, and rising horn combination of
"Silver Star"
to the fingersnap percussion, hypnotic cymbal rolls,
Gary Keller
's flute harmony, and
Jim Beard
's shimmering Fender Rhodes foundation on
"High Five."
It's a kick keeping up with his mood swings;
Loeb
restrains himself wrapping around
Mark Egan
's spacy basslines and
Kim Waters
' soprano on
"Love Is All,"
then stirs up the frenetic fusion activity of
"Right Down Broadway"
with
Mitch Forman
's jump or else piano groove and more of those sassy horns. He even keeps a cover of
Michael Jackson
's
"Rock with You"
from slipping away into Muzakville by shifting from high to low string tones and trading off melody lines with
Walter Beasley
's alto. ~ Jonathan Widran
knows the secret to finding enduring success in the genre, even amidst growing competition by more and more up and coming guitarists who approximate his style: keep the listener guessing from tune to tune with unique stylistic and production curveballs. He's so effective at this that it's impossible to resist as he commands in the title of his new
Shanachie
disc: simply
Listen
. Keeping his crisp electric lines front and center, he darts and moves from the retro-soul clicking, synth strings, and rising horn combination of
"Silver Star"
to the fingersnap percussion, hypnotic cymbal rolls,
Gary Keller
's flute harmony, and
Jim Beard
's shimmering Fender Rhodes foundation on
"High Five."
It's a kick keeping up with his mood swings;
Loeb
restrains himself wrapping around
Mark Egan
's spacy basslines and
Kim Waters
' soprano on
"Love Is All,"
then stirs up the frenetic fusion activity of
"Right Down Broadway"
with
Mitch Forman
's jump or else piano groove and more of those sassy horns. He even keeps a cover of
Michael Jackson
's
"Rock with You"
from slipping away into Muzakville by shifting from high to low string tones and trading off melody lines with
Walter Beasley
's alto. ~ Jonathan Widran