Last Night on Earth in Bloomington, MN

On
The First Days of Spring
,
Charlie Fink
mourned the absence of ex-girlfriend/ex-bandmate
Laura Marling
while the rest of
Noah & the Whale
churned up a sympathetic mix of folk and sad-eyed indie rock. Released two years later,
Last Night on Earth
finds the band recharged and redirected. "He used to be somebody, now he's someone elseâ?¦ and it feels like heaven,"
Fink
sings on the opening track, a tribute to transformation that doubles as the album's mission statement. Although released during the golden days of England's indie folk scene,
reaches far beyond the genre, relying heavily on keyboards and leaving the acoustic riffage to
Mumford & Sons
. Some of the basslines are synthesized instead of plucked, and some of the percussion is programmed instead of played. At times, the band appears single-minded in its determination to turn over a new rock, and the album suffers whenever
focuses on presentation -- the polished production, the overdubbed handclaps -- instead of content. But those moments are few and far between.
sound genuinely happy to be exploring a new direction, and tracks like
"Tonight's the Kind of Night"
fuse the
Arcade Fire
's chest-swelling anthems with smart, radio-ready sensibilities. On
"Wild Thing,"
proves he can still wring some serious mileage out of melancholy, too, delivering a
Matt Berninger
-like vocal over synths and lonely guitar lines. ~ Andrew Leahey