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Joel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags HeadJoel Sternfeld: Nags Head
Joel Sternfeld: Nags Head

Joel Sternfeld: Nags Head

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In the summer of 1975, facing surgery with the potential of paralysis, a young Joel Sternfeld went off in search of a last idyll—and found it in Nags Head, on North Carolina’s Outer Banks. From June to August he captured the beach town floating in time, a sense of spatial and temporal fluidity. Sternfeld’s images show beachgoers of all ages enjoying scenes of leisure and partying in what became his first body of work addressing a season. Yet this summer sojourn was tragically broken by the news of the death of his brother; Sternfeld returned to New York, never to go back to Nags Head. Eventually he began working again and one day ventured to Rockaway Beach, Queens. Here he took a picture in which “all at once the ugly scene appeared beautiful to me”: the hues of sand, apartments and sky fuse into a cohesive whole. This photo, with its conceptual roots in Nags Head, would lead to the color structures of Sternfeld’s magnum opus , his ambitious realization of what he had always wanted to do: follow the seasons across America. A major figure in the photography world for nearly five decades, was born in New York City in 1944. He has received numerous awards, including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award. Sternfeld holds the Nobel Foundation Chair in Art and Cultural History at Sarah Lawrence College.
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