Ignored upon its release in 1974 and celebrated upon its reissue in 2001,
Shuggie Otis
' fourth and last album
Inspiration Information
exists out of time -- a record that was of its time, but didn't belong of it; a record that was idiosyncratic but not necessarily visionary. It was
psychedelic
soul
that was released far too late to be part of any zeitgeist and it was buried at the time. Yet no matter what
Luaka Bop
's grand poobah
David Byrne
claims on the sticker -- he says
Shuggie
's "trippy
R&B
jams are equal to
Marvin
's and
Curtis
', but somehow more contemporary sounding...closer to
D'Angelo
meets
DJ Shadow
" -- this isn't revolutionary. It can occasionally sound modern, such as on the rolling head trip
"XL-30,"
but only because it's the kind of groove
Shadow
would sample and build on; the slow, liquid instrumental head trips sound the same way. Perhaps that's why it can seem more contemporary -- contemporary ears are more attuned to these relaxed, warmly trippy soundscapes.
Otis
crafted all of this essentially alone, playing each instrument himself, and it's quite clearly a reflection of his inner psyche, and no matter how much it floats and skates upon its own sound, it's a welcoming, inviting sound. But, no matter how much the partisans claim -- and their effusive praise is plastered all over the liner notes, with
Sean O'Hagan
claiming that it shocks you out of a rut,
Stereolab
's
Tim Gane
says it is "almost like a new style of music that could've developed but never did" -- this isn't revolutionary, even if it's delightfully idiosyncratic. So, don't fall for the hyperbole. This isn't an album that knocks your head off -- it's subtle, intricate music that's equal parts head music and elegant
funk
, a record that slowly works its way under your skin. Part of the reason it sounds so intriguing in 2001 is that there just aren't that many musicians that doggedly pursue their individual vision while retaining a sense of focus. But it isn't a record without precedent, nor is it startling. It's a record for people that have heard a lot of music, maybe too much, and are looking for a new musical romance. [
's reissue contains four fine bonus tracks, including the original version of
"Strawberry Letter 23,"
which
the Brothers Johnson
later had a hit with. The reissue also replaces the original cover -- which is nowhere to be seen in the liner notes -- with a "hip," self-consciously retro cover. Also, it has put in the
"World Psychedelic Classics"
with
Os Mutantes
, which is slightly misleading and a little unsettling -- with that subheading, there's just a little too much self-conscious, scholarly distance at play.] ~ Stephen Thomas Erlewine