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In the Graveyard
In the Graveyard in Bloomington, MN
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Garage punk legends
Dead Moon
captured the spirit of adamant self-reliance that set the stage for independent labels and independent music in general. Recording, releasing, and even going so far as to cut the master lathes for all of their records, married couple
Fred
and
Toody Cole
were already years into making music when
materialized in 1987, siphoning both the nervous punk impulses of their band
the Rats
as well as hints of the oddball country feel of their short-lived project
the Western Front
. While some roughness around the edges is to be expected with any first record, the rawness of
's 1988 debut
In the Graveyard
is undeniable, its lo-fi production as much a part of the final product as its manic, seething energy.
Fred Cole
had been making high-strung garage rock since the time of
the Seeds
the Count Five
with his teenage act
the Weeds
(later renamed
the Lollipop Shoppe
), and those influences live on to some extent in these songs. Public domain standard "Hey Joe" shows up here in a raved-up style and the
Toody
-sung cover of "Can't Help Falling in Love" is filtered through the moody paranoia that touched
Arthur Lee
's early performances in
Love
. A schizoid take on surf guitar also comes through in a ripper like "Graveyard" and in the breathless tension of "Out on a Wire." Slight open-plain Western influences shine through in the album's more subdued moments, coming off like some strange home-schooled version of
the 13th Floor Elevators
playing covers in an empty cowboy bar. Decidedly a rock & roll band,
came about at the tail end of punk's transition into hardcore, and the band shares the same perfect articulation of Northwestern isolation in the
Reagan
era that their contemporaries
the Wipers
had and a few years later
Nirvana
would build their sound off of and take to the masses. Unlike those bands, and really unlike anyone else to some degree,
's refusal to play by anyone else's rules on any level makes their sound all their own, from the jagged mono recording to the chilly shut-in vibe that drips from
's pained howls. Future albums from the band would continue more or less along the same path set forth on
, but the excitement and unhinged wildness of this very first set of songs make the album especially electric and completely essential. ~ Fred Thomas
Dead Moon
captured the spirit of adamant self-reliance that set the stage for independent labels and independent music in general. Recording, releasing, and even going so far as to cut the master lathes for all of their records, married couple
Fred
and
Toody Cole
were already years into making music when
materialized in 1987, siphoning both the nervous punk impulses of their band
the Rats
as well as hints of the oddball country feel of their short-lived project
the Western Front
. While some roughness around the edges is to be expected with any first record, the rawness of
's 1988 debut
In the Graveyard
is undeniable, its lo-fi production as much a part of the final product as its manic, seething energy.
Fred Cole
had been making high-strung garage rock since the time of
the Seeds
the Count Five
with his teenage act
the Weeds
(later renamed
the Lollipop Shoppe
), and those influences live on to some extent in these songs. Public domain standard "Hey Joe" shows up here in a raved-up style and the
Toody
-sung cover of "Can't Help Falling in Love" is filtered through the moody paranoia that touched
Arthur Lee
's early performances in
Love
. A schizoid take on surf guitar also comes through in a ripper like "Graveyard" and in the breathless tension of "Out on a Wire." Slight open-plain Western influences shine through in the album's more subdued moments, coming off like some strange home-schooled version of
the 13th Floor Elevators
playing covers in an empty cowboy bar. Decidedly a rock & roll band,
came about at the tail end of punk's transition into hardcore, and the band shares the same perfect articulation of Northwestern isolation in the
Reagan
era that their contemporaries
the Wipers
had and a few years later
Nirvana
would build their sound off of and take to the masses. Unlike those bands, and really unlike anyone else to some degree,
's refusal to play by anyone else's rules on any level makes their sound all their own, from the jagged mono recording to the chilly shut-in vibe that drips from
's pained howls. Future albums from the band would continue more or less along the same path set forth on
, but the excitement and unhinged wildness of this very first set of songs make the album especially electric and completely essential. ~ Fred Thomas
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