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I'm No Angel

I'm No Angel in Bloomington, MN
Current price: $6.99
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Nearly ten years separate
Gregg Allman
's third and fourth solo albums (not counting
Allman & Woman
), which is quite a long stretch by anyone's standards. Of course, there were a number of reasons why
Allman
didn't release an album between 1977's
Playin' Up a Storm
and 1986's
I'm No Angel
-- various substance addictions, bad marriage, disappearing bands. By 1986, he had pulled it all together and crafted
, an album designed to be a comeback. After all, the title track alone was a statement of purpose, a declaration of his bad-boy ways. Since this album was released in the midst of the
Reagan
era, it's not only a little musically tame -- slick surfaces and keyboards dominate -- but the attitude is a little lax, too. On the title track, a song that justifiably became one of his signature tunes, the lyrics say "darn" instead of "damn," which is a little tame for someone like
. Still, what matters is the tune, and it's a corker -- so much so that it overshadows many of the other cuts on the record. However,
is, by and large, a solid and thoroughly enjoyable set of songs. The main problem is the production, which is a bit too much of its time. However, that's an easy flaw to overlook, especially for hardcore fans, because
rarely delivered a solo album as solid as this. ~ Stephen Thomas Erlewine
Gregg Allman
's third and fourth solo albums (not counting
Allman & Woman
), which is quite a long stretch by anyone's standards. Of course, there were a number of reasons why
Allman
didn't release an album between 1977's
Playin' Up a Storm
and 1986's
I'm No Angel
-- various substance addictions, bad marriage, disappearing bands. By 1986, he had pulled it all together and crafted
, an album designed to be a comeback. After all, the title track alone was a statement of purpose, a declaration of his bad-boy ways. Since this album was released in the midst of the
Reagan
era, it's not only a little musically tame -- slick surfaces and keyboards dominate -- but the attitude is a little lax, too. On the title track, a song that justifiably became one of his signature tunes, the lyrics say "darn" instead of "damn," which is a little tame for someone like
. Still, what matters is the tune, and it's a corker -- so much so that it overshadows many of the other cuts on the record. However,
is, by and large, a solid and thoroughly enjoyable set of songs. The main problem is the production, which is a bit too much of its time. However, that's an easy flaw to overlook, especially for hardcore fans, because
rarely delivered a solo album as solid as this. ~ Stephen Thomas Erlewine