In 2002,
Mark Lanegan
was looking to make some changes in how he approached his music --
the Screaming Trees
had finally collapsed at the end of the '90s, he'd found a new fan base as a frequent guest vocalist with
Queens of the Stone Age
, and the spare, blues-leaning solo efforts
Lanegan
cut for
Sub Pop
were no longer side projects but the first chapters of a new career. As
was strategizing his next move, he went to Houston, Texas and in five days recorded a dozen songs with a handful of talented local musicians, including guitarist
Ian Moore
and longtime
Willie Nelson
sideman
Mickey Raphael
on harmonica, with
Justice Records
founder
Randall Jamail
as producer. While the sessions were meant to be demos for a stack of songs
had written for
Jamail
's publishing house, the finished product sounded good enough to be an album, and in 2015
finally released the material under the title
Houston: Publishing Demos 2002
. The jolly irony is that while these are supposed to be demos, in many respects the performances sound more polished and "commercial" than most of
's early solo efforts, capturing a laid-back but buoyant mood that's informed by country and blues as much as rock, and
seems comfortable singing with the group, rather than simply laying his vocals over the top. The arrangements are full-bodied but leave plenty of open space, which suits the dusty overtones of
's melodies, and this music is a fine match for the phantoms and lost souls who populate
's songs (ten of which get their first public hearing on this release).
is by no means a lost masterpiece, but in many ways this is more satisfying and a better platform for
's talents than
Bubblegum
, which was his next solo effort, released in 2004. [
was also released on LP.] ~ Mark Deming