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Hotter Than July [LP]
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Hotter Than July [LP] in Bloomington, MN
Current price: $19.99
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Size: CD
Four years after the pinnacle of
Stevie Wonder
's mid-'70s typhoon of classic albums,
Hotter Than July
was the proper follow-up to
Songs in the Key of Life
(his
Journey Through the Secret Life of Plants
concept record was actually a soundtrack to an obscure movie that fared miserably in theaters). It also found
Wonder
in a different musical climate than the one that savored his every move from 1972 to 1977.
Disco
and
new wave
had slowly crept their way into the mainstream record-buying public, and hindered the once-ample room for socially and politically charged lyrics. However,
naysayed the trends and continues to do what he did best. Solid songwriting, musicianship, and production are evident in the majority of
.
also carries on his tradition of penning songs normally not associated with his trademark sound, from the
disco
-tinged
"All I Do"
(originally planned to be released by
Tammi Terrell
almost ten years previously) to the
reggae
-influenced smash
"Master Blaster (Jammin),"
which went straight to the top of the
R&B
charts. While admittedly there are a few less-than-standard tracks, he closes the album on an amazing high note with one of the most aching
ballads
in his canon (
"Lately"
) and a touching anthem to civil rights pioneer
Martin Luther King, Jr.
(
"Happy Birthday"
). While most definitely not on the same tier as
Innervisions
or
,
is the portrait of an artist who still had the Midas touch, but stood at the crossroads of an illustrious career. ~ Rob Theakston
Stevie Wonder
's mid-'70s typhoon of classic albums,
Hotter Than July
was the proper follow-up to
Songs in the Key of Life
(his
Journey Through the Secret Life of Plants
concept record was actually a soundtrack to an obscure movie that fared miserably in theaters). It also found
Wonder
in a different musical climate than the one that savored his every move from 1972 to 1977.
Disco
and
new wave
had slowly crept their way into the mainstream record-buying public, and hindered the once-ample room for socially and politically charged lyrics. However,
naysayed the trends and continues to do what he did best. Solid songwriting, musicianship, and production are evident in the majority of
.
also carries on his tradition of penning songs normally not associated with his trademark sound, from the
disco
-tinged
"All I Do"
(originally planned to be released by
Tammi Terrell
almost ten years previously) to the
reggae
-influenced smash
"Master Blaster (Jammin),"
which went straight to the top of the
R&B
charts. While admittedly there are a few less-than-standard tracks, he closes the album on an amazing high note with one of the most aching
ballads
in his canon (
"Lately"
) and a touching anthem to civil rights pioneer
Martin Luther King, Jr.
(
"Happy Birthday"
). While most definitely not on the same tier as
Innervisions
or
,
is the portrait of an artist who still had the Midas touch, but stood at the crossroads of an illustrious career. ~ Rob Theakston