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Freedom
Freedom in Bloomington, MN
Current price: $15.99
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Size: CD
Amen Dunes
'
Damon McMahon
begins
Freedom
with a pair of illuminating quotes. "This is your time!," a child shouts, then
McMahon
's mother -- who was diagnosed with terminal cancer when he began making the album -- reads a quote from painter
Agnes Martin
: "I don't have any ideas myself. I am a vacant mind." This feeling of change and openness resonates throughout
, a set of songs that are as simple and complex as their title. Fittingly,
sounds liberated from any expectations of what
should sound like, and worked with a small army of collaborators to deliver his widest-ranging music yet. Along with
Parker Kindred
and
Delicate Steve
,
features
Godspeed You! Black Emperor
, who sound as spacious yet restrained as they did on
' previous album,
Love
; atmospheric electronic artist
Panoram
; and producer
Chris Coady
, who gives the album just enough sheen to blend its strains of folk, rock, and electronic music into a cohesive whole. As
brings the beat to the fore, it doesn't weigh down his music -- if anything, it affords him more ways to express himself. Transcendent, transporting rhythms make it clear what he means when he sings "we play religious music" on "Blue Rose," and lend an insistent momentum to "L.A." that reinforces there's no going back. While
frequently sounds effortless -- particularly on its luminous title track -- it's never simple.
skillfully contrasts the album's smooth sounds and the conflicts within its lyrics, which explore death, disillusionment, and, especially, toxic masculinity. He conveys just how attractive and destructive these notions of manhood can be on "Miki Dora," using the surfing icon as an emblem of ebbing cool from a bygone era as he sings "the waves are gone" over slinky guitars and a coasting beat. Similarly, "Dracula"'s macho narrative is as satisfying as a short story, even as its monstrous nature is hinted at in the title.
delves into the subject more personally on songs like "Calling Paul the Suffering" and "Skipping School," a darkly affectionate song that casts his dad as a glue-sniffing kid and allows
to connect to him as a person, rather than his expectations of what a father should be. Here and on "Believe," the way out of the cycle seems to be knowing which beliefs to let go of and which to embrace. It all makes
's richest album yet, as well as his most accessible -- as the sound and scope of his music grows, so does its humanity. ~ Heather Phares
'
Damon McMahon
begins
Freedom
with a pair of illuminating quotes. "This is your time!," a child shouts, then
McMahon
's mother -- who was diagnosed with terminal cancer when he began making the album -- reads a quote from painter
Agnes Martin
: "I don't have any ideas myself. I am a vacant mind." This feeling of change and openness resonates throughout
, a set of songs that are as simple and complex as their title. Fittingly,
sounds liberated from any expectations of what
should sound like, and worked with a small army of collaborators to deliver his widest-ranging music yet. Along with
Parker Kindred
and
Delicate Steve
,
features
Godspeed You! Black Emperor
, who sound as spacious yet restrained as they did on
' previous album,
Love
; atmospheric electronic artist
Panoram
; and producer
Chris Coady
, who gives the album just enough sheen to blend its strains of folk, rock, and electronic music into a cohesive whole. As
brings the beat to the fore, it doesn't weigh down his music -- if anything, it affords him more ways to express himself. Transcendent, transporting rhythms make it clear what he means when he sings "we play religious music" on "Blue Rose," and lend an insistent momentum to "L.A." that reinforces there's no going back. While
frequently sounds effortless -- particularly on its luminous title track -- it's never simple.
skillfully contrasts the album's smooth sounds and the conflicts within its lyrics, which explore death, disillusionment, and, especially, toxic masculinity. He conveys just how attractive and destructive these notions of manhood can be on "Miki Dora," using the surfing icon as an emblem of ebbing cool from a bygone era as he sings "the waves are gone" over slinky guitars and a coasting beat. Similarly, "Dracula"'s macho narrative is as satisfying as a short story, even as its monstrous nature is hinted at in the title.
delves into the subject more personally on songs like "Calling Paul the Suffering" and "Skipping School," a darkly affectionate song that casts his dad as a glue-sniffing kid and allows
to connect to him as a person, rather than his expectations of what a father should be. Here and on "Believe," the way out of the cycle seems to be knowing which beliefs to let go of and which to embrace. It all makes
's richest album yet, as well as his most accessible -- as the sound and scope of his music grows, so does its humanity. ~ Heather Phares
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