Babes in Toyland
's most focused and powerful statement,
Fontanelle
was vaguely associated with grunge upon its release, and tossed in with the Pacific Northwest-centered riot grrrl movement after the fact. In truth, it lies somewhere in between, its raw punkish fury and metallic grind making it the spiritual kin of
L7
.
isn't necessarily explicitly feminist, since the glorious noise of rock & roll is viewed as the ultimate empowerment. And that noise is all over
-- it's arguably the harshest, most abrasive recording to come out of any part of the riot grrrl camp. Like
,
are more about pure sound than songs, but the similarities end there. Instead of just grinding away on simple power chords,
Kat Bjelland
's distinctive guitar work is full of intentionally grating dissonance, which is complemented by the jittery rhythm section. Vocally,
Bjelland
can move from a faux little-girl coo to a bellowing snarl in the space of one line; put together, all of this imbues
with a terrifically explosive tension. Fittingly, the closing track features nothing but
, her guitar, and the sound of breaking glass bottles. Measured by any standard,
is a frighteningly primal record, one whose sheer ferocity
never quite captured this convincingly anywhere else. ~ Steve Huey