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Flutopia

Flutopia in Bloomington, MN
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Flutopia
is the third album flautist
Holly Hofmann
has recorded for
Azica Records
. On all three, she has successfully teamed with
Bill Cunliffe
and his Hammond B3 organ.
Hofmann
is one few jazz flute players who started on the instrument and has stayed with it exclusively throughout her career. The only other prominent jazz musician in this category is
Hubert Laws
who, like
, is classically trained on the instrument. Most leading jazz flute players, like
Frank Wess
,
Buddy Collette
, and
Herbie Mann
, took up the flute as a second (or third) instrument and for most, it continues to take the back seat to their saxophone. The reason for this is that the flute has limitations as a solo instrument and is much more suitable for ensemble playing. Despite her virtuosity and skill and the fact this is her album,
Hoffmann
doesn't get as much playing time as
Cunliffe
and his Hammond. On the first two tracks the organ and guitar intros are so lengthy, it seemed as if she wasn't coming on at all.
"Satin Doll"
features a marvelous exchange of choruses and ideas between
and
Frank Potenza
's guitar buttressed by meaningful underpinning from
Duncan Moore
's drums. But
is nowhere to be heard. However, she presents a lovely, melodic rendition of
"My One and Only Love,"
documenting that the flute as a romantic instrument can be very compelling. While the flute is not the swingiest instrument on the bandstand, when placed in the proper context, it can move right along.
demonstrates this with excellent playing on such tunes as
Mike Wofford
's
"Further Adventures"
"Flutopia."
Since the flute has an important place in Latin rhythm, it's somewhat surprising that music is missing from this session. Whatever, it is because
obviously feels that she isn't compelled to take meaningless solos, favoring quality over quantity, that makes this a very attractive album.
gets the most out her instrument and is one of the more proficient practitioners of the flute on today's jazz scene. Her third album is recommended. ~ Dave Nathan
is the third album flautist
Holly Hofmann
has recorded for
Azica Records
. On all three, she has successfully teamed with
Bill Cunliffe
and his Hammond B3 organ.
Hofmann
is one few jazz flute players who started on the instrument and has stayed with it exclusively throughout her career. The only other prominent jazz musician in this category is
Hubert Laws
who, like
, is classically trained on the instrument. Most leading jazz flute players, like
Frank Wess
,
Buddy Collette
, and
Herbie Mann
, took up the flute as a second (or third) instrument and for most, it continues to take the back seat to their saxophone. The reason for this is that the flute has limitations as a solo instrument and is much more suitable for ensemble playing. Despite her virtuosity and skill and the fact this is her album,
Hoffmann
doesn't get as much playing time as
Cunliffe
and his Hammond. On the first two tracks the organ and guitar intros are so lengthy, it seemed as if she wasn't coming on at all.
"Satin Doll"
features a marvelous exchange of choruses and ideas between
and
Frank Potenza
's guitar buttressed by meaningful underpinning from
Duncan Moore
's drums. But
is nowhere to be heard. However, she presents a lovely, melodic rendition of
"My One and Only Love,"
documenting that the flute as a romantic instrument can be very compelling. While the flute is not the swingiest instrument on the bandstand, when placed in the proper context, it can move right along.
demonstrates this with excellent playing on such tunes as
Mike Wofford
's
"Further Adventures"
"Flutopia."
Since the flute has an important place in Latin rhythm, it's somewhat surprising that music is missing from this session. Whatever, it is because
obviously feels that she isn't compelled to take meaningless solos, favoring quality over quantity, that makes this a very attractive album.
gets the most out her instrument and is one of the more proficient practitioners of the flute on today's jazz scene. Her third album is recommended. ~ Dave Nathan