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Everything Matters But No One Is Listening
Everything Matters But No One Is Listening in Bloomington, MN
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Everything Matters But No One Is Listening
is the first full-length release by
Quiet Slang
, the acoustic counterpart to the
James Alex
-led
Beach Slang
. He introduced the project on the 2017 EP
We Were Babies & We Were Dirtbags
, which consisted of two reworked
songs and covers of
the Replacements
and
Big Star
.
concentrates on
, offering ten previously released songs culled from all four of their prior releases (two 2014 EPs and their first two albums). Stripped of the band's alternately jangly, punky, and grungy guitars and drums, these versions make due with voice, piano, and strings.
Alex
is joined regularly on the album by a group of backing vocalists that includes New Jersey rock group
the Warhawks
. Throughout, the bandleader's angsty vocals and lyrics are exposed to a degree that trades
's catharsis for intimacy. One of the more ambitious makeovers is opening track "Bad Art & Weirdo Ideas," from the band's debut LP. In addition to piano, cello, and the additional singers, it makes use of glitchy samples that are sped up, reversed, or both, contrasting the regular attack and sustain of the other instruments. Second track "Noisy Heaven" settles into the album's more prevalent, straightforward arrangements, and
Everything Matters
ends with "Warpaint," which also closes 2016's
A Loud Bash of Teenage Feelings
. Here, the spare accompaniment puts special emphasis on the final lyrics "Don't be afraid to want to be alive," before the song is extended with a mirrored segment played in reverse. While the acoustic treatment is more effective on some tracks than others (certain
lyrics and melodies demand noise, including "Filthy Luck"), the naked distress of these versions often delivers its own power. ~ Marcy Donelson
is the first full-length release by
Quiet Slang
, the acoustic counterpart to the
James Alex
-led
Beach Slang
. He introduced the project on the 2017 EP
We Were Babies & We Were Dirtbags
, which consisted of two reworked
songs and covers of
the Replacements
and
Big Star
.
concentrates on
, offering ten previously released songs culled from all four of their prior releases (two 2014 EPs and their first two albums). Stripped of the band's alternately jangly, punky, and grungy guitars and drums, these versions make due with voice, piano, and strings.
Alex
is joined regularly on the album by a group of backing vocalists that includes New Jersey rock group
the Warhawks
. Throughout, the bandleader's angsty vocals and lyrics are exposed to a degree that trades
's catharsis for intimacy. One of the more ambitious makeovers is opening track "Bad Art & Weirdo Ideas," from the band's debut LP. In addition to piano, cello, and the additional singers, it makes use of glitchy samples that are sped up, reversed, or both, contrasting the regular attack and sustain of the other instruments. Second track "Noisy Heaven" settles into the album's more prevalent, straightforward arrangements, and
Everything Matters
ends with "Warpaint," which also closes 2016's
A Loud Bash of Teenage Feelings
. Here, the spare accompaniment puts special emphasis on the final lyrics "Don't be afraid to want to be alive," before the song is extended with a mirrored segment played in reverse. While the acoustic treatment is more effective on some tracks than others (certain
lyrics and melodies demand noise, including "Filthy Luck"), the naked distress of these versions often delivers its own power. ~ Marcy Donelson
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