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Encore: Movie Partners Sing Broadway
Encore: Movie Partners Sing Broadway in Bloomington, MN
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The follow-up to 2014's
Partners
,
Barbra Streisand
's 2016 studio effort,
Encore: Movie Partners Sing Broadway
, finds the acclaimed vocalist duetting with high-profile guest singers on a set of well-curated Broadway compositions. The difference this time out is that rather than simply singing the songs, wherever possible
Streisand
also includes the dialogue that frames the songs in their respective musical productions. The result is an album that straddles the line between a traditional pop album and musical theater recording. Helping to achieve this theatrical balance are
's guests, all of whom can sing, but who, like
Alec Baldwin
, are primarily known as actors. On that score,
Baldwin
acquits himself nicely with his usual wry charm on the lightly swinging "The Best Thing That Ever Has Happened to Me" from Road Show. Not surprisingly, the more Broadway-experienced guests here, like
Hugh Jackman
on "Any Moment" from Smile and
Patrick Wilson
on "Loving You" from Passion, work both ends of the spectrum from acting to singing with seamless verve. Similarly effective are her duets with Family Guy creator turned classic crooner
Seth MacFarlane
on "Pure Imagination," and
Melissa McCarthy
on the buoyantly playful "Anything You Can Do," from Annie Get Your Gun. Particularly impressive is Star Trek's
Chris Pine
, whose nuanced baritone melds perfectly with
on the yearning medley "I'll Be Seeing You/I've Grown Accustomed to Her Face," from Right This Way and My Fair Lady. It's also fun to hear
play off more than one performer, as she does here with
Anne Hathaway
and Star Wars'
Daisy Ridley
on "At the Ballet," from A Chorus Line. Kudos also go to
for choosing the late
Anthony Newley
for the digitally created duet on "Who Can I Turn To (When Nobody Needs Me)" from The Roar of the Greasepaint - The Smell of the Crowd. Much like her
Elvis
duet on
, her turn with the acclaimed British performer is a highly unexpected one and makes for a gloriously dramatic homage to Broadway in the '60s. ~ Matt Collar
Partners
,
Barbra Streisand
's 2016 studio effort,
Encore: Movie Partners Sing Broadway
, finds the acclaimed vocalist duetting with high-profile guest singers on a set of well-curated Broadway compositions. The difference this time out is that rather than simply singing the songs, wherever possible
Streisand
also includes the dialogue that frames the songs in their respective musical productions. The result is an album that straddles the line between a traditional pop album and musical theater recording. Helping to achieve this theatrical balance are
's guests, all of whom can sing, but who, like
Alec Baldwin
, are primarily known as actors. On that score,
Baldwin
acquits himself nicely with his usual wry charm on the lightly swinging "The Best Thing That Ever Has Happened to Me" from Road Show. Not surprisingly, the more Broadway-experienced guests here, like
Hugh Jackman
on "Any Moment" from Smile and
Patrick Wilson
on "Loving You" from Passion, work both ends of the spectrum from acting to singing with seamless verve. Similarly effective are her duets with Family Guy creator turned classic crooner
Seth MacFarlane
on "Pure Imagination," and
Melissa McCarthy
on the buoyantly playful "Anything You Can Do," from Annie Get Your Gun. Particularly impressive is Star Trek's
Chris Pine
, whose nuanced baritone melds perfectly with
on the yearning medley "I'll Be Seeing You/I've Grown Accustomed to Her Face," from Right This Way and My Fair Lady. It's also fun to hear
play off more than one performer, as she does here with
Anne Hathaway
and Star Wars'
Daisy Ridley
on "At the Ballet," from A Chorus Line. Kudos also go to
for choosing the late
Anthony Newley
for the digitally created duet on "Who Can I Turn To (When Nobody Needs Me)" from The Roar of the Greasepaint - The Smell of the Crowd. Much like her
Elvis
duet on
, her turn with the acclaimed British performer is a highly unexpected one and makes for a gloriously dramatic homage to Broadway in the '60s. ~ Matt Collar
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