To stand out in a field where the obvious signifiers are the most common, and therefore the most cliched, elements, one has to know when to try something different.
Amorphis
had already shown itself to be a more than competent end-of-the-century Scandinavian
black metal
outfit, but there were plenty of others equally able to say the same. The inspired turning point had two points of origin -- recruiting another lead vocalist,
Pasi Koskinen
, to sing with
Tomi Koivusaari
, and deciding to record an album infused with earlier
Finnish folk
influences, both musically and lyrically. The choice of lyrical inspiration, Finland's national epic
The Kalevala
, isn't necessarily surprising given how often
metal
of all kinds has favored tales of dungeons and grue. But
wisely eschew
Conan the Barbarian
grotesqueries in place of the often grim existentialism found in the original poems, more like a medieval northern
Metallica
(or even a
Joy Division
, if you like) than a prancing
Dio
. The result is a powerful release that, if anything, feels like an equivalent to
Sepultura
's own inspired combination of past and present,
Roots
.
Esa Holopainen
's use of sitar on certain tracks, like the opening
"Better Unborn,"
as well as the continued use of keyboards shows the band avoiding some sort of retro-unplugged move -- it's still
ripping through things with a number of prog touches as they go, but wanting to bring all sorts of musical options to the fore (as with the folky dance break in
"Cares,"
where the guitars almost sound Hawaiian).
Koskinen
's much clearer vocals nicely offsets
Koivusaari
's subterranean grumble, ensuring that the lyrics aren't lost in the flow. For all the darkness of the lyrics and delivery, there are some jaunty moments as well, like
"On Rich and Poor,"
which for
is actually a pretty upbeat song, at least at the opening! With a gentle acoustic version of
"My Kantele"
closing things out,
Elegy
is an inspired leap forward. ~ Ned Raggett