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Double Take
Double Take in Bloomington, MN
Current price: $17.99
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This no-frills
Alligator
reissue of 2003's
Easy Meeting
(recorded in France, 1998), allows a wider audience to hear this exceptional recording, which might have been all but impossible to find on its previous
indie
label. Louisiana
swamp
guitarist/vocalist
Neal
is well known through his nine discs on
and
Telarc
, but harp player
Branch
is a more obscure, yet tremendously talented bluesman who
blues
fans may recognize from his inclusion on
's 1991
Harp Attack
.
ended up a little lost on that project since he had to share the spotlight with
James Cotton
,
Carey Bell
, and
Junior Wells
, but here, even working with
, he shines. This is a low-key but charming, predominantly acoustic project, split fairly evenly between classics, new tunes, and obscurities.
has the better voice, and sings seven of the 12 tracks, but
does a fine job on his five tunes, even between verses where he's playing harp. There aren't many -- if any -- overdubs, and the session is as loose and down-home as you'd expect from two seasoned musicians.
blows strong, electrified harmonica only slightly less cutting and explosive than
Little Walter
(two of whose hits
"My Babe"
"I Just Keep Loving Her"
are here), and is particularly impressive on the slow
of his original
"Northern Man Blues,"
where he switches from amplified to unplugged settings.
revisits
"The Son I Never Knew,"
from his 1989
Devil Child
release -- twice actually -- and the song in both of its versions (the second features
on amplified harp) is an album highlight. Other than a cover of
"Mannish Boy"
that, at nearly eight minutes, should have been pruned to four, the duo keeps the songs and performances concise, but still lazy and swampy. In fact, it sounds like the musicians were lounging on their porch on a sweltering summer's night. This is a relaxed, casual but moving album that goes down easy and doesn't try to be more than what it is, which is what ultimately makes it so successful. ~ Hal Horowitz
Alligator
reissue of 2003's
Easy Meeting
(recorded in France, 1998), allows a wider audience to hear this exceptional recording, which might have been all but impossible to find on its previous
indie
label. Louisiana
swamp
guitarist/vocalist
Neal
is well known through his nine discs on
and
Telarc
, but harp player
Branch
is a more obscure, yet tremendously talented bluesman who
blues
fans may recognize from his inclusion on
's 1991
Harp Attack
.
ended up a little lost on that project since he had to share the spotlight with
James Cotton
,
Carey Bell
, and
Junior Wells
, but here, even working with
, he shines. This is a low-key but charming, predominantly acoustic project, split fairly evenly between classics, new tunes, and obscurities.
has the better voice, and sings seven of the 12 tracks, but
does a fine job on his five tunes, even between verses where he's playing harp. There aren't many -- if any -- overdubs, and the session is as loose and down-home as you'd expect from two seasoned musicians.
blows strong, electrified harmonica only slightly less cutting and explosive than
Little Walter
(two of whose hits
"My Babe"
"I Just Keep Loving Her"
are here), and is particularly impressive on the slow
of his original
"Northern Man Blues,"
where he switches from amplified to unplugged settings.
revisits
"The Son I Never Knew,"
from his 1989
Devil Child
release -- twice actually -- and the song in both of its versions (the second features
on amplified harp) is an album highlight. Other than a cover of
"Mannish Boy"
that, at nearly eight minutes, should have been pruned to four, the duo keeps the songs and performances concise, but still lazy and swampy. In fact, it sounds like the musicians were lounging on their porch on a sweltering summer's night. This is a relaxed, casual but moving album that goes down easy and doesn't try to be more than what it is, which is what ultimately makes it so successful. ~ Hal Horowitz
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