Doggystyle [Clear Vinyl] in Bloomington, MN

If
Snoop Dogg
's debut,
Doggystyle
, doesn't seem like a debut, it's because in many ways it's not.
Snoop
had already debuted as a featured rapper on
Dr. Dre
's 1992 album,
The Chronic
, rapping on half of the 16 tracks, including all the hit singles, so it wasn't like he was an unknown force when
was released in late 1993. If anything, he was the biggest star in
hip-hop
, with legions of fans anxiously awaiting new material, and they were the ones who snapped up the album, making it the first debut album to enter the
Billboard
charts at number one. It wasn't like they were buying an unknown quantity. They knew that the album would essentially be the de facto sequel to
, providing another round of
P-Funk
-inspired grooves and languid
gangsta
and ganja tales, just like
Dre
's album. Which is exactly what
is -- a continuation of
, with the same production, same aesthetic and themes, and same reliance on guest rappers. The miracle is, it's as good as that record. There are two keys to its success, one belonging to
, the other to
.
realized that it wasn't time to push the limits of
G-funk
, and instead decided to deepen it musically, creating easy-rolling productions that have more layers than they appear. They're laid-back funky, continuing to resonate after many listens, but their greatest strength is that they never overshadow the laconic drawl of
, who confirms that he's one of
's greatest vocal stylists with this record. Other
gangsta rappers
were all about aggression and anger -- even
, as a rapper, is as blunt as a thug -- but
takes his time, playing with the flow of his words, giving his rhymes a nearly melodic eloquence. Compare his delivery to many guest rappers here:
Nate Dogg
,
Kurupt
, and
Dat Nigga Daz
are all good rappers, but they're good in a conventional sense, where
is something special, with unpredictable turns of phrase, evocative imagery, and a distinctive, addictive flow. If
doesn't surprise or offer anything that wasn't already on
, it nevertheless is the best showcase for
's prodigious talents, not just because he's given the room to run wild, but because he knows what to do with that freedom and
presents it all with imagination and a narrative thrust. If it doesn't have the shock of the new, the way that
did, so be it: Over the years, the pervasive influence of that record and its countless ripoffs has dulled its innovations, so it doesn't have the shock of the new either. Now,
and
stand proudly together as the twin pinnacles of
West Coast
of the early '90s. ~ Stephen Thomas Erlewine