Sunny Day Real Estate
's debut album,
Diary
, virtually defined
emo
in the '90s, laying much of the groundwork (along with
Weezer
) for the genre's end-of-decade
indie
prominence. Although
existed (both as a term and as a style) prior to
, it hadn't yet risen out of the deepest
hardcore punk
underground, save for a few bands on the
Dischord
label. For all intents and purposes,
was the album that made
accessible, fusing its gnarled guitars and nakedly emotional vocals with more than a hint of melodic Seattle
grunge
.
SDRE
's song structures are far more oblique than, for example, the similarly anthemic
Pearl Jam
, but it's still easy to miss the group's main inspirations if you're not looking for them. Perhaps that's because, at bottom,
don't sound much like their
predecessors. For one, there are plenty of quiet, arpeggiated passages and contrasting dynamics; for another, vocalist
Jeremy Enigk
is more of a crooner than a screamer at heart, and the underlying tenderness in his voice breathes majesty into the group's slow, languid melodies. Yet, while
's true heart lies in its soaring, introspective anthems (like the band's signature song,
"In Circles"
), the more tortured, visceral moments balance things out, preventing the album from wallowing in melodramatic self-obsession. In retrospect,
doesn't quite fulfill all of its ambitions -- there are a few underfocused moments that don't achieve the epic sweep of the album's best compositions. That occasional inconsistency makes it feel somewhat less realized than their
proggier
post-reunion work, especially since
Enigk
would develop into a far more distinctive vocalist. But even if it isn't quite the top-to-bottom masterpiece its legions of imitators suggest,
still ranks as arguably the definitive '90s
album, and an indispensable introduction to the genre. [The remastered 2009 edition adds new liner notes and 2 bonus tracks (
"8"
and
"9"
) taken from the
Thief Steal Me a Peach
7".] ~ Steve Huey