Dedicated to Bobby Jameson [Deluxe Edition] [LP]

followed -- a wild album even by his standards -- with a set of songs inspired by an artist who defined outsider status. For a few years in the '60s, was a fixture of L.A.'s psych-rock scene before dropping out due to mental health and substance issues, then reemerged in the late 2000s to share his thoughts on life and the music industry on his blog and YouTube channel until his death in 2015. He proves to be a potent muse for on , an album that gives a little more shape to the themes of wish fulfillment, disappointment, and mortality that he's explored over the years. In a sense, the album sees reclaiming some of his own outsider status: It appeared on instead of , the home of some of his most popular albums, and it returns to the murky sound of his earlier work, which uses as an expression of 's past and his own. The title track's moody verses and bright, shiny choruses reflect L.A.'s duality, while the similarly quixotic psych-pop of "Dreamdate Narcissist" falls somewhere between the and the . As amusing as impish takes on matters of the afterlife and death like "Time to Meet Your God," "Time to Live," and the -esque "Death Patrol" are, 's subtler subversions are among its best. On songs like "Feels Like Heaven" and "Bubblegum Dreams," delivers candy-coated pop fantasies with ironic cores, while "Another Weekend" and "I Wanna Be Young" use slightly decaying soft rock to convey their strangely poignant wish fulfillment. Of course, it wouldn't be an album with too many limitations, even though the obvious path to success would mean cutting oddities like "Santa's in the Closet" and "Acting," a collaboration with that sounds like every word has quotation marks around it. Regardless, is a weird, catchy, thought-provoking celebration of individuality that offers one 's most appealing balances of sugary accessibility and irreverent indulgence. ~ Heather Phares