Da Doo Ron Ron: The Very Best of the Crystals in Bloomington, MN

When
Phil Spector
formed his own label,
Philles Records
, in 1961, he had written, played guitar, and sung backup vocals on 1958's
"To Know Him Is to Love Him"
(which hit the top of the pop charts that year) as part of
the Teddy Bears
, and worked for a time as part of the production team for
Leiber & Stoller
, co-writing
"Spanish Harlem"
for
Ben E. King
and playing guitar on
the Drifters
'
"On Broadway,"
and had produced minor sides for
LaVern Baker
and
Ruth Brown
, among others, but there was really little to distinguish him from any number of other hopefuls clustered around the pop music scene at the time. But
Spector
was driven, single-minded, and stubborn, and he had a sound in his head. Now with his own label in place, he set out to record a series of singles he termed "little symphonies for the kids" that are now regarded among the most distinctive and influential recordings in the history of pop music. Combining massed pianos, guitars, string arrangements by
Jack Nitzsche
, tons of layered percussion, and huge washes of echo, working with the West Coast's best session players (including
Hal Blaine
,
Tommy Tedesco
Larry Knechtel
Leon Russell
, and
Harold Battiste
-- the so-called
Wrecking Crew
), and leaning heavily on his engineer
Larry Levine
to catch all of this in the small confines of
Gold Star Studios
in Los Angeles,
developed his "Wall of Sound" production approach, controlling every aspect of the recordings until, even though he wasn't singing or even playing an instrument, they became -- in essence --
records. This is not to diminish the singers he used --
the Crystals
, in the case here. Already an intact quartet led by vocalists
La La Brooks
Barbara Alston
when they fell into
's world, he ended up owning the
Crystals
name and inserting other vocalists -- most notably
Darlene Love
-- into the equation whenever it suited him. One can say, that's the music business, and
was far from a humanitarian to be sure, but the results are indisputable. The records he produced under the
name --
"There's No Other Like My Baby,"
"He's a Rebel,"
"Da Doo Ron Ron,"
"Then He Kissed Me"
among them and all included in this 18-track set -- are classic gems and they set the template and standard high for girl groups in the '60s, no matter who was singing lead.
did his production thing, yeah, and brilliantly, but
brought that sassy and yearning human touch to everything -- without it,
had a Wall of Sound with no heart. ~ Steve Leggett