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Cupid Deluxe
Cupid Deluxe in Bloomington, MN
Current price: $15.99
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Size: CD
After debuting his new project
Blood Orange
with a fairly straightforward chillwave/electro-pop album full of hooky, sexy songs that worked like a collection of great singles,
Dev Hynes
returned with a second album that was anything but straightforward. In fact,
Cupid Deluxe
is something of a hot mess. It's unfocused, sprawling, and so full of ideas that it never seems to settle in one place for very long, jumping from laid-back EDM pop to soft rock with sax balladry to '90s New Jack Swing to bleary hip-hop and back again. While it doesn't make for a smooth listen from beginning to end,
Hynes
and his expanded cast of collaborators (who include the ubiquitous
Caroline Polachek
of
Chairlift
,
Friends
'
Samantha Urbani
Dirty Projectors
David Longstreth
, and
Clams Casino
) hit enough highs to make the album worth trying to figure out. Even if one never does truly figure it all out, there is enough graceful melancholy and tuneful sadness on display to make the album a bracing, late-night listen with plenty of songs that will stick around in memory banks and on breakup mixes. The songs that work the best are the most focused, like "You're Not Good Enough," the jumping Afro-pop disco jam "Uncle ACE, and "Always Let You Down," where
doesn't let the soft focus arrangements get in the way of the melodies. His oddball sonic choices, like huge-sounding gated drums, '90s TV theme keyboard settings, and
Polachek
's showy warbling also don't usually get in the way, though "Chosen" might give anyone who doesn't worship at the altar of
Phil Collins
some seriously queasy feelings. And "Time Will Tell" comes off like an unholy blend of
Bruce Hornsby
and mid-period
Prince
thanks to some stately piano and squirmy sexual come-ons. Some of his choices are fairly brilliant, too, like how "Clipped On" is a brilliant mashup of
Naughty by Nature
and
PM Dawn
, or how "On the Line" takes the electro-pop of the previous album, feeds it through cheap Casios and too many Seagram's Coolers, then ends up with the most emotionally powerful song on the record. It also features lovely vocals from
Urbani
, who proves to be the ideal duet partner for
since her sweet croon matches his perfectly. In the end, the album's head-scratching moments are outweighed by the near-brilliant ones, those weird juxtapositions of styles and oddly emotional times that make everyone from
Solange
Basement Jaxx
Britney
want to work with
. He's an artist with ideas and while they sometimes pile up and crash on
, it's always a spectacular crash, and that's something worth investigating. ~ Tim Sendra
Blood Orange
with a fairly straightforward chillwave/electro-pop album full of hooky, sexy songs that worked like a collection of great singles,
Dev Hynes
returned with a second album that was anything but straightforward. In fact,
Cupid Deluxe
is something of a hot mess. It's unfocused, sprawling, and so full of ideas that it never seems to settle in one place for very long, jumping from laid-back EDM pop to soft rock with sax balladry to '90s New Jack Swing to bleary hip-hop and back again. While it doesn't make for a smooth listen from beginning to end,
Hynes
and his expanded cast of collaborators (who include the ubiquitous
Caroline Polachek
of
Chairlift
,
Friends
'
Samantha Urbani
Dirty Projectors
David Longstreth
, and
Clams Casino
) hit enough highs to make the album worth trying to figure out. Even if one never does truly figure it all out, there is enough graceful melancholy and tuneful sadness on display to make the album a bracing, late-night listen with plenty of songs that will stick around in memory banks and on breakup mixes. The songs that work the best are the most focused, like "You're Not Good Enough," the jumping Afro-pop disco jam "Uncle ACE, and "Always Let You Down," where
doesn't let the soft focus arrangements get in the way of the melodies. His oddball sonic choices, like huge-sounding gated drums, '90s TV theme keyboard settings, and
Polachek
's showy warbling also don't usually get in the way, though "Chosen" might give anyone who doesn't worship at the altar of
Phil Collins
some seriously queasy feelings. And "Time Will Tell" comes off like an unholy blend of
Bruce Hornsby
and mid-period
Prince
thanks to some stately piano and squirmy sexual come-ons. Some of his choices are fairly brilliant, too, like how "Clipped On" is a brilliant mashup of
Naughty by Nature
and
PM Dawn
, or how "On the Line" takes the electro-pop of the previous album, feeds it through cheap Casios and too many Seagram's Coolers, then ends up with the most emotionally powerful song on the record. It also features lovely vocals from
Urbani
, who proves to be the ideal duet partner for
since her sweet croon matches his perfectly. In the end, the album's head-scratching moments are outweighed by the near-brilliant ones, those weird juxtapositions of styles and oddly emotional times that make everyone from
Solange
Basement Jaxx
Britney
want to work with
. He's an artist with ideas and while they sometimes pile up and crash on
, it's always a spectacular crash, and that's something worth investigating. ~ Tim Sendra
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