Court the Act in Bloomington, MN

After nearly three years of climbing its way through the
heavy metal
underground, Newcastle, England-based
Satan
was all set to record its debut album for
Neat Records
. But then, in a move more common in the wide world of sports, they suddenly decided to make a trade, swapping vocalists with local act
Avenger
to land the talents of well-regarded free agent
Brian Ross
-- he of
Blitzkrieg
fame. Thus strengthened, the group proceeded to record what at the time surely ranked among the heaviest albums yet recorded -- even within the fast-evolving
New Wave of British Heavy Metal
. Indeed, 1983's
Court in the Act
bordered on the yet undefined style of
thrash
metal
, thanks to the frenetic speeds achieved in cuts like
"Trial By Fire"
and the amazing
"Break Free."
But the album also boasted more accessible and melodic mid-paced
fare, putting great effort into the memorable melodies and choruses heard on
"Broken Treaties,"
"Hunt You Down,"
and early-day favorite
"Blades of Steel."
The unusual decision to sequence two instrumental tracks (
"The Ritual"
and
"Dark Side of Innocence"
) back to back draws attention to the hyperactive lead guitar tandem of
Steve Ramsey
Russ Tippins
(as if that was even necessary), whose commanding performances throughout and frequent fretboard shredding competitions occasionally rival their heroes
Glenn Tipton
K.K. Downing
of
Judas Priest
fame. Many years on,
retains that strangely contradictory combination of compositional innocence and proto-
vision common to many
NWOBHM
bands, but, with the exception of
Ross
' painful falsetto punctuations here and there, the overall sound reaches across the decades in only slightly dated fashion. And for committed
enthusiasts, these qualities do nothing except enrich the final product, making this hard to find album well worth seeking out. [
Roadrunner
/
Neat
's 1997 reissue added three bonus cuts, including two rarities recorded just prior to
' departure to rejoin
.] ~ Eduardo Rivadavia