Complete True Stories Soundtrack [Red Vinyl] [B&N Exclusive] in Bloomington, MN

In the mid-'80s,
David Byrne
was enjoying his heyday as America's favorite multimedia eccentric when he persuaded
Warner Bros.
to bankroll a feature film he would write and direct. The result was 1986's
True Stories
, a quirky but generous study of the denizens of a small town in Texas. In the movie, several of the characters sang songs written for the project by
Byrne
, but to help promote the movie, the producers insisted that
and his band
Talking Heads
record an album that offered their interpretations of the
songs. The
album was a chart success, but while an album of other pieces
penned for the movie,
Sounds from True Stories: Music for Activities Freaks
, appeared in 1986, the performances from the film's cast went unreleased. That changed in 2018, when
the Criterion Collection
gave the movie
a deluxe release on Blu-ray and DVD; as a bonus, they included a CD that compiled a complete soundtrack album for the film for the first time.
Nonesuch Records
has given the soundtrack a stand-alone release, and
True Stories, A Film by David Byrne: The Complete Soundtrack
is certainly a more satisfying release than the out of print
Sounds from True Stories
. The sequence of the album is a much better approximation of the ebb and flow of the movie, and the best performances from the actors have a gravity and emotional force that
's delivery didn't always catch, especially
Annie McEnroe
's evocative "Dream Operator" and
John Goodman
's "People Like Us," which has an honesty and heart that sometimes belie the lyrics. And "Cocktail Desperado" by
Terry Allen & the Panhandle Mystery Band
is a terrific track that has long deserved wider exposure. However, there's a low-key tone to much of this music, and the
tracks here ("Wild Wild Life," "Love for Sale," and "City of Dreams") stand out in sharp relief, with their bright and booming production and a level of energy and force the rest of the tracks don't try to match.
fans will appreciate having all this in one place for the first time, but the truth is that a lot of what's here is background score, and divorced from the movie it doesn't have an especially strong identity of its own, even if some individual pieces like "Glass Operator," "Road Song," and "Dinner Music" are quite lovely. The movie
deserves reevaluation, and
will please its partisans, but picking up
Criterion
's release of
's film may be a better way to experience this music in its intended context. ~ Mark Deming