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Comin' On
Comin' On
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Upon first hearing the album's title one might conjure up a Nashville rife with hallucinogens; but after glimpsing a crew cut adorned
and dancing model teens on the cover, one can only fathom the reverie of wholesome moves and fruity punch. Thankfully, while
's
style oozes with glee-club innocence, it also, unwittingly, contains some strains of
-- ghostly sweet choruses, tinker-toy piano, space-age pedal steel, and the occasional variety show trumpet break --
to many; a needed break from being a Nashville-sound sideman for
. After plying his unique slip-note technique on recordings by
and
, the pianist found time to record a slew of solo discs, including this 1963 release featuring the pianist's usual genre-busting program and
sound. The mix roams from fairly substantial versions of
'
and something called
to the strangely noirish
and an overwrought
More novel than interesting -- with pearly-white versions of
sealing the deal --
is tailored made for diehards of
. ~ Stephen Cook