Coleridge's Sublime Later Prose and Recent Theory: Kristeva, Adorno, Rancière

This book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph , this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s: (wr. 1824), (1825), and (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.