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Chariots of Fire [25th Anniversary Edition Remastered]
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Chariots of Fire [25th Anniversary Edition Remastered] in Bloomington, MN
Current price: $13.99
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Vangelis
' electronic score for a film set in 1930s Britain seemed an odd match at first, but the title theme, with its echoing, manipulated rhythm box and melodic hook, became one of the most popular theme songs of the early '80s. Just hearing the opening 30 seconds conjures up -- for those who have seen the film -- shots of men running on the beach in slow motion, and has been borrowed, adapted, and ripped-off ever since. Suffice it to say that the other six tracks here can't quite match the punch (if that's the word for something so fey) of the title theme. Much of the rest is very sappy, if often melodic,
proto-smooth jazz
with a burnish of
electronic
screeches, washes, and fuzzy fake strings. If it works for the insular
"Five Circles,"
it doesn't for
"100 Metres,"
which so desperately wants to be
Elgar
's
"Pomp and Circumstance"
but can't quite get there with its watery synths -- suddenly you realize what a full orchestral arrangement could have added. Side two is a side-long "suite" of the themes on side one, created, one feels, to fill up space.
went on to snag more
soundtrack
work, notably
Blade Runner
. ~ Ted Mills
' electronic score for a film set in 1930s Britain seemed an odd match at first, but the title theme, with its echoing, manipulated rhythm box and melodic hook, became one of the most popular theme songs of the early '80s. Just hearing the opening 30 seconds conjures up -- for those who have seen the film -- shots of men running on the beach in slow motion, and has been borrowed, adapted, and ripped-off ever since. Suffice it to say that the other six tracks here can't quite match the punch (if that's the word for something so fey) of the title theme. Much of the rest is very sappy, if often melodic,
proto-smooth jazz
with a burnish of
electronic
screeches, washes, and fuzzy fake strings. If it works for the insular
"Five Circles,"
it doesn't for
"100 Metres,"
which so desperately wants to be
Elgar
's
"Pomp and Circumstance"
but can't quite get there with its watery synths -- suddenly you realize what a full orchestral arrangement could have added. Side two is a side-long "suite" of the themes on side one, created, one feels, to fill up space.
went on to snag more
soundtrack
work, notably
Blade Runner
. ~ Ted Mills