Home
By Blood
Barnes and Noble
Loading Inventory...
By Blood in Bloomington, MN
Current price: $15.99


By Blood in Bloomington, MN
Current price: $15.99
Loading Inventory...
Size: CD
Shovels & Rope
open
By Blood
, their fifth album of original material, with "I'm Comin' Out," a stomping, fuzz-drenched rocker that serves as a statement of purpose: the duo is indeed moving from the shadows into the light. "I'm Comin' Out" pulsates with vivid primary colors, a distinct switch from a band who previously specialized in shades of grey. As such, it's a fitting keynote for
, which is by many measures the boldest record
have made.
Michael Trent
and
Cary Ann Hearst
accentuate
with an impressionistic flair that is far beyond drums and guitar: harmonies pile up on "Twisted Sisters," keyboards and pianos pepper the margins, amps are cranked til they cry, horns sneak into the frame, and acoustic elements can be processed to sound otherworldly. Not every cut bristles with this sense of adventure -- there are still plenty of stark, plaintive ballads that provide the record with a sensitive, quivering foundation -- but by balancing their familiar backwoods brooding with fearless rock & roll, they've wound up with an album with a wild, twitching heart. ~ Stephen Thomas Erlewine
open
By Blood
, their fifth album of original material, with "I'm Comin' Out," a stomping, fuzz-drenched rocker that serves as a statement of purpose: the duo is indeed moving from the shadows into the light. "I'm Comin' Out" pulsates with vivid primary colors, a distinct switch from a band who previously specialized in shades of grey. As such, it's a fitting keynote for
, which is by many measures the boldest record
have made.
Michael Trent
and
Cary Ann Hearst
accentuate
with an impressionistic flair that is far beyond drums and guitar: harmonies pile up on "Twisted Sisters," keyboards and pianos pepper the margins, amps are cranked til they cry, horns sneak into the frame, and acoustic elements can be processed to sound otherworldly. Not every cut bristles with this sense of adventure -- there are still plenty of stark, plaintive ballads that provide the record with a sensitive, quivering foundation -- but by balancing their familiar backwoods brooding with fearless rock & roll, they've wound up with an album with a wild, twitching heart. ~ Stephen Thomas Erlewine
Shovels & Rope
open
By Blood
, their fifth album of original material, with "I'm Comin' Out," a stomping, fuzz-drenched rocker that serves as a statement of purpose: the duo is indeed moving from the shadows into the light. "I'm Comin' Out" pulsates with vivid primary colors, a distinct switch from a band who previously specialized in shades of grey. As such, it's a fitting keynote for
, which is by many measures the boldest record
have made.
Michael Trent
and
Cary Ann Hearst
accentuate
with an impressionistic flair that is far beyond drums and guitar: harmonies pile up on "Twisted Sisters," keyboards and pianos pepper the margins, amps are cranked til they cry, horns sneak into the frame, and acoustic elements can be processed to sound otherworldly. Not every cut bristles with this sense of adventure -- there are still plenty of stark, plaintive ballads that provide the record with a sensitive, quivering foundation -- but by balancing their familiar backwoods brooding with fearless rock & roll, they've wound up with an album with a wild, twitching heart. ~ Stephen Thomas Erlewine
open
By Blood
, their fifth album of original material, with "I'm Comin' Out," a stomping, fuzz-drenched rocker that serves as a statement of purpose: the duo is indeed moving from the shadows into the light. "I'm Comin' Out" pulsates with vivid primary colors, a distinct switch from a band who previously specialized in shades of grey. As such, it's a fitting keynote for
, which is by many measures the boldest record
have made.
Michael Trent
and
Cary Ann Hearst
accentuate
with an impressionistic flair that is far beyond drums and guitar: harmonies pile up on "Twisted Sisters," keyboards and pianos pepper the margins, amps are cranked til they cry, horns sneak into the frame, and acoustic elements can be processed to sound otherworldly. Not every cut bristles with this sense of adventure -- there are still plenty of stark, plaintive ballads that provide the record with a sensitive, quivering foundation -- but by balancing their familiar backwoods brooding with fearless rock & roll, they've wound up with an album with a wild, twitching heart. ~ Stephen Thomas Erlewine
















