Back in Time

removes his name from the cover of this reunion of his trio, and for good reason. As the rather awkward group name indicates, this is more of a band album than a solo project, especially with 's longtime associate 's searing violin playing such a prominent role in the sound. Only the third appearance of this ensemble on album, and the threesome's sole release since 1998's concert disc, the collective's synergy remains amazingly sharp. 's violin, 's propulsive, in-the-pocket yet often skeletal drums, and 's throaty vocals and harmolodic guitar lines tug and tumble with each other. Musically this falls on the bluesy side of , not surprising in that has spent the majority of his time since 1998 filtering the through his own distinctive vision. The album's instrumentals such as the winding and the ominous comprise about half of the playing time, and give 's non-vocal contributions equal footing with the other players. The MIA bass parts aren't missed due in part to 's innovative playing and the band's sheer intensity. Recorded live in the studio during a three-day stint in May 2005, the disc crackles because of the largely improv approach of the pieces. Each track supports its own groove, and the interaction of all three players with nobody hogging the spotlight shows the collaborative nature of this project. A slight beat infuses these tracks, due in part to and 's distinctive, atypical approach to their instruments. The brooding atmosphere is heightened by 's husky, quivering vocals, especially effective on the cautionary (definitely not the song). Listeners who appreciate the guitarist/vocalist's forays into the will find this to be down a similar dark alley, and those who come to this album through 's more dissonant work will also find lots to enjoy in 's timeless and riveting music. ~ Hal Horowitz