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Automatic for the Masses: Death of Author and Birth Socialist Realism
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Automatic for the Masses: Death of Author and Birth Socialist Realism in Bloomington, MN
Current price: $91.00
Automatic for the Masses: Death of Author and Birth Socialist Realism in Bloomington, MN
Current price: $91.00
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Size: Hardcover
At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two movements? In
Automatic for the Masses
, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship.
Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist “death of the author.” In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism’s unrealizable project. An insightful and challenging interpretation of the era,
will be required reading for those interested in understanding early Soviet culture.
Automatic for the Masses
, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship.
Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist “death of the author.” In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism’s unrealizable project. An insightful and challenging interpretation of the era,
will be required reading for those interested in understanding early Soviet culture.
At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two movements? In
Automatic for the Masses
, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship.
Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist “death of the author.” In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism’s unrealizable project. An insightful and challenging interpretation of the era,
will be required reading for those interested in understanding early Soviet culture.
Automatic for the Masses
, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship.
Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist “death of the author.” In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a perverted realization of modernism’s unrealizable project. An insightful and challenging interpretation of the era,
will be required reading for those interested in understanding early Soviet culture.
