ATLiens in Bloomington, MN

Though they were likely lost on casual hip-hop fans,
Southernplayalisticadillacmuzik
was full of subtle indications that
OutKast
were a lot more inventive than your average Southern playas. Their idiosyncrasies bubbled to the surface on their sophomore effort,
ATLiens
, an album of spacy sci-fi funk performed on live instruments. Largely abandoning the hard-partying playa characters of their debut,
Dre
and
Big Boi
develop a startlingly fresh, original sound to go along with their futuristic new personas.
George Clinton
's space obsessions might seem to make
P-Funk
obvious musical source material, but
ignores the hard funk in favor of a smooth, laid-back vibe that perfectly suits the duo's sense of melody. The album's chief musical foundation is still soul, especially the early-'70s variety, but other influences begin to pop up as well. Some tracks have a spiritual, almost gospel feel (though only in tone, not lyrical content), and the
Organized Noize
production team frequently employs the spacious mixes and echo effects of dub reggae in creating the album's alien soundscapes. In addition to the striking musical leap forward,
continue to grow as rappers; their flows are getting more tongue-twistingly complex, and their lyrics more free-associative. Despite a couple of overly sleepy moments during the second half,
is overall a smashing success thanks to its highly distinctive style, and stands as probably
's most focused work (though it isn't as wildly varied as subsequent efforts). The album may have alienated (pun recognized, but not intended) the more conservative wing of the group's fans, but it broke new ground for Southern hip-hop and marked
as one of the most creatively restless and ambitious hip-hop groups of the '90s. ~ Steve Huey