And Girls Club in Bloomington, MN

An awful lot of contemporary
garage punk
albums sound as if the people who recorded them never listened to any music recorded before 1977; they're built around walls of fuzztone snarl and affected, attitudinal wailing that may reflect the current state of the art of
garage rock
, but they hardly recall the more measured sound of the music that came out in the 1960s. To their credit,
Strange Boys
are one of the few contemporary bands whose sound truly blends past with present; while they can rock and rock hard, the
blues
-influenced approach of the band makes room for the
folk-rock
leanings of the middle-period
Kinks
and
Rolling Stones
, and
Ryan Sambol
's vocals fuse a
post-punk
wail with a
Dylan
-influenced drawl that reflects the vocal shrug that was so much a part of the
garage
sound back in the day. And in part because they don't sound like they're struggling to maintain an authentic period sound,
the Strange Boys
come closer to getting the mood of the first
era right than almost anyone else playing this stuff in the 21st century; on their debut album,
The Strange Boys and Girls Club
, the band sounds like four guys in a small studio, playing their music with a relaxed intensity that is all the more effective because they don't appear to be howling through Marshall Stacks, but instead beating out the sounds in their heads through cheap gear with a realistic, passionate timbre that sets them apart from the vast majority of their peers. The songs on this album are simple, smart, and soulful, and the performances are classic-style blue-eyed
R&B
that gets its message across without beating the listener over the head;
is the sound of real kids opening up their hearts and minds through
rock & roll
, and anyone who digs the truer sound ought to pick it up. ~ Mark Deming