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Alice
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Alice in Bloomington, MN
Current price: $16.99
Alice in Bloomington, MN
Current price: $16.99
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Size: CD
Meatbodies
' self-titled debut album showed off the raging guitar skills of
Chad Ubovich
, a guy who cut his rock & roll teeth as a member of
Ty Segall
's band,
Mikal Cronin
's band, and his project with
Segall
,
Fuzz
. Stepping out on his own with
, the sound was in place -- thick slabs of fuzzy guitars, tight bass and drum attacks, and whiny, garage punk vocals -- but the songs weren't quite able to hold up their end of the bargain. Now, on
' second album,
Alice
, the sound is even more impressively mighty and the songs are too. Working with guitarist
Patrick Nolan
and bassist
Kevin Boog
Ubovich
concocts a sticky heavy metal garage sound, layering dinosaur-heavy distorted guitars over hazily strummed acoustic guitars, plugging in wigged-out solos and monster riffs as the rhythm section pounds and roils along in perfect sync. Even if the songs were weak, the intense power of the music would carry
along. Fortunately, the songs are quite strong. This is a concept album of some kind, revolving around creatures, angels, life, death and that kind of stuff, and while the meaning is lost somewhere in the smoking amps and hissing cymbals, the individual tracks are all meaty, filling slices of memorable guitar-bashing rock & roll.
tosses in all kind of hooks, musical and lyrical, making every song more than just a bashed-out rocker. Most of them give his former bosses a run for their money in unbridled energy and powerful pop melody.
would be glad to have tracks like "Creature Feature" in his repertoire;
Cronin
may have written a folk-pop ballad as psychedelically sweet as "Alice," but not a better one. Elsewhere, the songs make a case that
could open for
Black Sabbath
and not make old-time metal fans unhappy ("Disciples"), could play back to back with the best psych bands of their age and not sound out of place ("Touchless"), or deliver a track good enough to make you forget that
was in
's employ. One spin of "Kings" and it seems like maybe
should be backing
instead.
is a major step forward for
and one of the better garage punk/heavy metal/psychedelic rock albums anyone is likely to hear in 2017. Maybe even one of the best in recent memory, certainly as good as anything
has done, and that is high praise indeed. ~ Tim Sendra
' self-titled debut album showed off the raging guitar skills of
Chad Ubovich
, a guy who cut his rock & roll teeth as a member of
Ty Segall
's band,
Mikal Cronin
's band, and his project with
Segall
,
Fuzz
. Stepping out on his own with
, the sound was in place -- thick slabs of fuzzy guitars, tight bass and drum attacks, and whiny, garage punk vocals -- but the songs weren't quite able to hold up their end of the bargain. Now, on
' second album,
Alice
, the sound is even more impressively mighty and the songs are too. Working with guitarist
Patrick Nolan
and bassist
Kevin Boog
Ubovich
concocts a sticky heavy metal garage sound, layering dinosaur-heavy distorted guitars over hazily strummed acoustic guitars, plugging in wigged-out solos and monster riffs as the rhythm section pounds and roils along in perfect sync. Even if the songs were weak, the intense power of the music would carry
along. Fortunately, the songs are quite strong. This is a concept album of some kind, revolving around creatures, angels, life, death and that kind of stuff, and while the meaning is lost somewhere in the smoking amps and hissing cymbals, the individual tracks are all meaty, filling slices of memorable guitar-bashing rock & roll.
tosses in all kind of hooks, musical and lyrical, making every song more than just a bashed-out rocker. Most of them give his former bosses a run for their money in unbridled energy and powerful pop melody.
would be glad to have tracks like "Creature Feature" in his repertoire;
Cronin
may have written a folk-pop ballad as psychedelically sweet as "Alice," but not a better one. Elsewhere, the songs make a case that
could open for
Black Sabbath
and not make old-time metal fans unhappy ("Disciples"), could play back to back with the best psych bands of their age and not sound out of place ("Touchless"), or deliver a track good enough to make you forget that
was in
's employ. One spin of "Kings" and it seems like maybe
should be backing
instead.
is a major step forward for
and one of the better garage punk/heavy metal/psychedelic rock albums anyone is likely to hear in 2017. Maybe even one of the best in recent memory, certainly as good as anything
has done, and that is high praise indeed. ~ Tim Sendra
Meatbodies
' self-titled debut album showed off the raging guitar skills of
Chad Ubovich
, a guy who cut his rock & roll teeth as a member of
Ty Segall
's band,
Mikal Cronin
's band, and his project with
Segall
,
Fuzz
. Stepping out on his own with
, the sound was in place -- thick slabs of fuzzy guitars, tight bass and drum attacks, and whiny, garage punk vocals -- but the songs weren't quite able to hold up their end of the bargain. Now, on
' second album,
Alice
, the sound is even more impressively mighty and the songs are too. Working with guitarist
Patrick Nolan
and bassist
Kevin Boog
Ubovich
concocts a sticky heavy metal garage sound, layering dinosaur-heavy distorted guitars over hazily strummed acoustic guitars, plugging in wigged-out solos and monster riffs as the rhythm section pounds and roils along in perfect sync. Even if the songs were weak, the intense power of the music would carry
along. Fortunately, the songs are quite strong. This is a concept album of some kind, revolving around creatures, angels, life, death and that kind of stuff, and while the meaning is lost somewhere in the smoking amps and hissing cymbals, the individual tracks are all meaty, filling slices of memorable guitar-bashing rock & roll.
tosses in all kind of hooks, musical and lyrical, making every song more than just a bashed-out rocker. Most of them give his former bosses a run for their money in unbridled energy and powerful pop melody.
would be glad to have tracks like "Creature Feature" in his repertoire;
Cronin
may have written a folk-pop ballad as psychedelically sweet as "Alice," but not a better one. Elsewhere, the songs make a case that
could open for
Black Sabbath
and not make old-time metal fans unhappy ("Disciples"), could play back to back with the best psych bands of their age and not sound out of place ("Touchless"), or deliver a track good enough to make you forget that
was in
's employ. One spin of "Kings" and it seems like maybe
should be backing
instead.
is a major step forward for
and one of the better garage punk/heavy metal/psychedelic rock albums anyone is likely to hear in 2017. Maybe even one of the best in recent memory, certainly as good as anything
has done, and that is high praise indeed. ~ Tim Sendra
' self-titled debut album showed off the raging guitar skills of
Chad Ubovich
, a guy who cut his rock & roll teeth as a member of
Ty Segall
's band,
Mikal Cronin
's band, and his project with
Segall
,
Fuzz
. Stepping out on his own with
, the sound was in place -- thick slabs of fuzzy guitars, tight bass and drum attacks, and whiny, garage punk vocals -- but the songs weren't quite able to hold up their end of the bargain. Now, on
' second album,
Alice
, the sound is even more impressively mighty and the songs are too. Working with guitarist
Patrick Nolan
and bassist
Kevin Boog
Ubovich
concocts a sticky heavy metal garage sound, layering dinosaur-heavy distorted guitars over hazily strummed acoustic guitars, plugging in wigged-out solos and monster riffs as the rhythm section pounds and roils along in perfect sync. Even if the songs were weak, the intense power of the music would carry
along. Fortunately, the songs are quite strong. This is a concept album of some kind, revolving around creatures, angels, life, death and that kind of stuff, and while the meaning is lost somewhere in the smoking amps and hissing cymbals, the individual tracks are all meaty, filling slices of memorable guitar-bashing rock & roll.
tosses in all kind of hooks, musical and lyrical, making every song more than just a bashed-out rocker. Most of them give his former bosses a run for their money in unbridled energy and powerful pop melody.
would be glad to have tracks like "Creature Feature" in his repertoire;
Cronin
may have written a folk-pop ballad as psychedelically sweet as "Alice," but not a better one. Elsewhere, the songs make a case that
could open for
Black Sabbath
and not make old-time metal fans unhappy ("Disciples"), could play back to back with the best psych bands of their age and not sound out of place ("Touchless"), or deliver a track good enough to make you forget that
was in
's employ. One spin of "Kings" and it seems like maybe
should be backing
instead.
is a major step forward for
and one of the better garage punk/heavy metal/psychedelic rock albums anyone is likely to hear in 2017. Maybe even one of the best in recent memory, certainly as good as anything
has done, and that is high praise indeed. ~ Tim Sendra
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