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Algaravias: Echo Chamber

Algaravias: Echo Chamber in Bloomington, MN

Current price: $16.00
Get it at Barnes and Noble
Algaravias: Echo Chamber

Algaravias: Echo Chamber in Bloomington, MN

Current price: $16.00
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Size: OS

Get it at Barnes and Noble
Poetry. Translated from the Portuguese by Maryam Monalisa Gharavi. The fifth and most critically acclaimed volume of poetry by Syrian-Brazilian poet Waly Salomão (1943-2003), ALGARAVIAS: ECHO CHAMBER takes its title from an entangled history, referenced in an etymological epigraph: "From al-garb, the West; that language of the Arabs considered corrupted, little understood by the Spanish. Also a name of a plant, given that name for the messiness of its branches." Its ruminations on passage, self-placement, virtual geography, human-electronic interaction, poetic consciousness, and mortality are inflected by Salomão's dual heritage; they also confront the isolating nature of the dictatorship he lived through as well as the aggressively optimistic discourse of post-dictatorship "modernization" efforts: the torrential influx of mass media and multinational corporations, and the sterile, touristic, and militarized landscapes of modern space and spectacle
Poetry. Translated from the Portuguese by Maryam Monalisa Gharavi. The fifth and most critically acclaimed volume of poetry by Syrian-Brazilian poet Waly Salomão (1943-2003), ALGARAVIAS: ECHO CHAMBER takes its title from an entangled history, referenced in an etymological epigraph: "From al-garb, the West; that language of the Arabs considered corrupted, little understood by the Spanish. Also a name of a plant, given that name for the messiness of its branches." Its ruminations on passage, self-placement, virtual geography, human-electronic interaction, poetic consciousness, and mortality are inflected by Salomão's dual heritage; they also confront the isolating nature of the dictatorship he lived through as well as the aggressively optimistic discourse of post-dictatorship "modernization" efforts: the torrential influx of mass media and multinational corporations, and the sterile, touristic, and militarized landscapes of modern space and spectacle
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