A Shut-In's Prayer

The fifth outing for under the moniker follows in the quiet footsteps of 2010's excellent . Looser and less polished than its predecessor, finds in a mercilessly nostalgic mood, especially on the first three tracks, which play out like a post-rock & roll Lothario trilogy, looking back on a life spent in transit, full of missed connections ("I Know It's Pathetic But That Was the Greatest Night of My Life ") and disparate places ("Sunshine in Chicago") that trigger powerful emotional cues ("Moderately Talented Yet Attractive Young Woman vs. the Exceptionally Talented Yet Not so Attractive Middle Aged Man") that grow dimmer with each year. retains 's strict adherence to the use of nylon-string guitar as its foundation, though isn't opposed to fleshing out the occasional song with drums, bass, and other subtle textures, as evidenced by the easy shimmy of the title cut and the dense, brooding "Kingfish," the latter of which finds the former picking at a distorted electric with the same deftness he applies to his beloved acoustic. ~ James Christopher Monger