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A Bath Full of Ecstasy
A Bath Full of Ecstasy in Bloomington, MN
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Size: CD
On
A Bath Full of Ecstasy
,
Hot Chip
respond to the oppressive feel of the late 2010s with songs that aren't overtly political, but emphasize how important compassion and empathy are during hard times. If there's any band suited to deliver this message, it's
: On albums like
One Life Stand
, they excelled at making music that's equally intimate and capable of filling dance floors. Their wit and tenderness have only grown over the years, and there's plenty of both on
, which feels as informed by the bandmembers' time raising their families and collaborating with
Katy Perry
as it does by horrors such as the murder of Labour MP Jo Cox. On the lovely album opener "Melody of Love,"
Alexis Taylor
Joe Goddard
, and company give their listeners the musical equivalent of a group hug; later, they examine just how hard it can be to stay hopeful on "Positive"'s crystal-clear synth pop. As part of the album's mission statement of reaching out, the band worked with outside producers (
Philippe Zdar
and
Rodaidh McDonald
) for the first time to help them continue the streamlining of their music that they began on
Why Make Sense?
The funky, percolating "Spell" -- a song they initially wrote for
Perry
, then kept for themselves -- harks back to "Over and Over," but where it might have spun in ever tighter circles on an earlier album, here it opens into meditative passages that throw its quirky groove into sharper relief. This reflective feel also works well on the soulful title track, which suggests that love is a substance just as mind-altering as any drug. Other highlights include "Echo," where late-'80s and early-'90s synth sounds and beats add a layer of irony to
Taylor
's admonition to "leave your past behind," and "Hungry Child," a slow-burning earworm that bridges classic house and the chilled-out feel of late-2010s electronic pop. ~ Heather Phares
A Bath Full of Ecstasy
,
Hot Chip
respond to the oppressive feel of the late 2010s with songs that aren't overtly political, but emphasize how important compassion and empathy are during hard times. If there's any band suited to deliver this message, it's
: On albums like
One Life Stand
, they excelled at making music that's equally intimate and capable of filling dance floors. Their wit and tenderness have only grown over the years, and there's plenty of both on
, which feels as informed by the bandmembers' time raising their families and collaborating with
Katy Perry
as it does by horrors such as the murder of Labour MP Jo Cox. On the lovely album opener "Melody of Love,"
Alexis Taylor
Joe Goddard
, and company give their listeners the musical equivalent of a group hug; later, they examine just how hard it can be to stay hopeful on "Positive"'s crystal-clear synth pop. As part of the album's mission statement of reaching out, the band worked with outside producers (
Philippe Zdar
and
Rodaidh McDonald
) for the first time to help them continue the streamlining of their music that they began on
Why Make Sense?
The funky, percolating "Spell" -- a song they initially wrote for
Perry
, then kept for themselves -- harks back to "Over and Over," but where it might have spun in ever tighter circles on an earlier album, here it opens into meditative passages that throw its quirky groove into sharper relief. This reflective feel also works well on the soulful title track, which suggests that love is a substance just as mind-altering as any drug. Other highlights include "Echo," where late-'80s and early-'90s synth sounds and beats add a layer of irony to
Taylor
's admonition to "leave your past behind," and "Hungry Child," a slow-burning earworm that bridges classic house and the chilled-out feel of late-2010s electronic pop. ~ Heather Phares
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